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The Language of Flowers : The Floral Offering ; A Token of Affection and Esteem ; Comprising the Language and Poetry Of Flowers
Welcome to the enchanting world of Henrietta Dumont's "The Language of Flowers: The Floral Offering; A Token of Affection and Esteem", where the delicate beauty of flowers intertwines with poetic expression and heartfelt sentiments. Immerse yourself in this timeless classic as you explore the rich tapestry of floral symbolism and the eloquent language that flowers speak. "The Language of Flowers" takes readers on a journey through the meanings and emotions conveyed by various blooms, offering a unique blend of botanical knowledge and poetic artistry. Discover the significance of each flower and how they communicate love, friendship, and admiration. From the passionate red rose to the humble ...
Atlantic Reporter
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The Ladies' Magazine
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The Haunted Muse
The Salem witch trials, and the many narratives based on them, both contemporaneous and subsequent discussions, have had a powerful influence on the American national psyche, informing the nation’s political debates and propelling its fears. Perhaps one of the major reasons for the importance of the trials is how they conceive of and present a narrative of danger. The horror grows in and seems to threaten not just the body politic, but, perhaps more importantly, the domestic sanctuary. The home and hearth become a contested ground where good and evil fight for the souls of the inhabitants, or an infection that threatens to spread to other homes and, eventually, the entire community. The fe...
A Book of Great Worth
Set largely among the Jewish community of inter-war New York City, this is a beautifully-told collection of scenes from Morgenstern’s life. The tricky ground of writing the advice column for a provincial Yiddish daily; successes during, and hard times after, the Depression; a position at the top of his craft as a labour specialist in the New York City Yiddish press – these and many more form a portrait of “a fundamentally decent man in morally perplexing situations”. “I’ve been working on a series of stories about the character I call “my father” – loosely based on my own father – for about 30 years...I wondered if I could use the character in other situations. [One] story had begun with a spark of truth – a story my father had told many times about a foolish man he’d once known – and the spirit of my father. “All the stories in the series walk that precarious tightrope between memoir and fiction...“I worked hard, with the stories’ structure and a sort of old-fashioned expository style, to make them feel like memoir – like truth.”
