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Henry Green
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Loving, Living, Party Going
WITH AN INTRODUCTION BY SEBASTIAN FAULKS Henry Green, whom W. H. Auden called 'the finest living English novelist', is the most neglected writer of the last century and the one most deserving of rediscovery by a new generation. This volume brings together three of Henry Green's intensely original novels. Loving explored class distinctions through the medium of love and brilliantly contrasts the lives of servants and masters in an Irish castle during World War Two, Living of workers and owners in a Birmingham iron foundry. Party Going is a brilliant comedy of manners, presenting a party of wealthy travellers stranded by fog in a London railway hotel while throngs of workers await trains in the station below.
Nothing, Doting, Blindness
WITH AN INTRODUCTION BY D. J. TAYLOR These three brilliant novels span Henry Green's career as a novelist and display his unique talents as a writer. Nothing is a tale of the merry-go-round of love, marriage and infidelity, and the ceaseless tussle of innocence versus experience. Doting sets the middle-aged male infatuation for pretty girls against the comfortable affection of wives and old friends, delving into the complications of burgeoning affairs and boring marriages. In Blindness, Green's first novel, a young man is blinded in a senseless accident but thereafter discovers new imaginative powers.
Surviving
A collection of short stories, journalism pieces, and various writings by the esteemed twentieth-century English novelist Henry Green. Surviving presents a miscellany of Henry Green’s writing, and is as reflective of his extraordinary and unclassifiable genius for the word as any of his great novels from Living to Loving to Nothing. Readers will find remarkable stories from the 1920s and 1930s; Green’s telling of his time in the London Fire Brigade during the Blitz; a short, unpublished play, Journey out of Spain; journalism; and the hilarious interview that Terry Southern conducted for The Paris Review. Edited by the novelist Matthew Yorke, Green’s grandson, Surviving also includes a memoir by Green’s son, Sebastian Yorke, that is a brilliant portrait of this maverick master.
Black Minqua The Life and Times of Henry Green
"Uncover the back story of the Christiana Resistance and the Civil War. The story is told from the perspective of Henry Green, who stepped out of his door and into history on September 11, 1851."--Cover, p. 4.
Nothing
Years ago, Jane Weatherby had a torrid affair with John Pomfret, the husband of her best friend. Divorces ensued. World War II happened. Prewar partying gave way to postwar austerity, and Jane and John’s now-grown children, Philip and Mary, both as serious and sober as their parents were not, seem earnestly bent on marriage, which John and Jane consider a mistake. The two old lovers conspire against the two young lovers, and nothing turns out quite as expected. Nothing, like the closely related Doting, is a book that is almost entirely composed in dialogue, since in these late novels nothing so interested Green as how words resist, twist, and expose our intentions; how they fail us, lead us on, make fools of us, and may, in spite of ourselves, even save us, at least for a time. Nothing spills over with the bizarre and delicious comedy and poetry of human incoherence.
Loving
Drama unfolds between the servants and masters of an aristocratic Irish household in this “classic upstairs-downstairs story” set during World War II—for fans of Downton Abbey (Time) The war has led to a scarcity of experienced staff at the vast hereditary house of an aristocratic Anglo-Irish family. When Eldon the butler dies, Raunce—the head footman—is assigned his job. The other servants are taken aback by this irregular promotion, but lovely young Edith, a recent hire, is quite attracted to the older Raunce and a flirtation begins. And it is Edith who discovers Mrs. Tennant’s daughter-in-law, whose husband is fighting at the front, in bed with a neighbor one morning, scandalizing the whole household. When the Tennants depart for England, Raunce is left in charge of the house and struggles to control its disputatious inhabitants as well as to secure the love of Edith, especially after a precious family jewel disappears. In Loving, Henry Green explores the deeply precarious nature of ordinary life against the background of the larger world at war.
Pack My Bag: A Self-Portrait
A luminous autobiography by one of England's most original, delightful, writers. In 1938 Henry Green, then thirty-three, dreaded the coming war and decided to "put down what comes to mind before one is killed." Pack My Bag was published in England in 1940. When he wrote it, Green had already published three of his nine novels and his style"a gathering web of insinuations"was fully developed. Pack My Bag is a marvelously quirky, clear-eyed memoir: a mother who shot at mangle wurzels (turnips) bowled across the lawn for her by the servants; the stately home packed with wounded World War I soldiers; the miseries of Eton, oddities of Oxford, and work in the family factory—the making of a brilliantly original novelist. "We have inherited the greatest orchestra, the English language, to conduct," Green once wrote. "The means are there; things are going on in life all the time around us." His use of language and his account of things that went on in his life inform this delightful and idiosyncratic autobiography, which begins: "I was born a mouthbreather with a silver spoon."
Party Going
A modernist "masterpiece" (The New York Times) that will appeal to fans of Downton Abbey and The Great Gatsby Party Going, published in 1939, is Henry Green’s darkly comic valediction to what W. H. Auden famously described as the “low dishonest decade” of the 1930s. London is sunk in an impenetrable fog. Traffic has come to a halt. Stranded in the train station and the hotel connected to it are a group of bright young things waiting to catch a train to the Continent, where their enormously rich friend Max is throwing a party. Green’s characters worry and wonder and wander in and out of each other’s company (and arms and beds), in pursuit of and pursued by their own secrets and desires.
