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In David Lodge's last novel, Thinks... the novelist Henry James was invisibly present in quotation and allusion. In Author, Author he is centre stage, sometimes literally. The story begins in December 1915, with the dying author surrounded by his relatives and servants, most of whom have private anxieties of their own, then loops back to the 1880s, to chart the course of Henry's 'middle years', focusing particularly on his friendship with the genial Punch artist and illustrator, George Du Maurier, and his intimate but chaste relationship with the American writer Constance Fenimore Woolson. By the end of the decade Henry is seriously worried by the failure of his books to 'sell', and decides ...
Henry James's Style of Retrospect examines the last twenty-five years in the writing life of Henry James (1843-1916), one of the most important novelists of the nineteenth century. It addresses a significantly under-appreciated dimension of James's late-life output: not his fiction, but rather the substantial body of retrospective and commemorative non-fiction (the 'late personal writings' of the title) which he began to produce in the 1890s, and whichcame to assume a leading role in the last phase of his career. It addresses these works from a literary-critical viewpoint, analysing the way James's style changed in response to the conditions imposed onhim--but also the opportunities revealed to him--by the project of writing about the real past; the book's main contribution is to develop a cumulative analysis of his style in the period 1890DS 1915. It also has a biographical aspect, however, and tells a story of his professional and emotional life in these years that particularly emphasises his investment in historical and personal continuity, his sense of the duties of commemoration, and his interest in the experiences of ageing andremembering.
In 2004, Henry James featured as a character in no less than three novels - David Lodge's Author, Author was one of them. With insightful and amusing candour, here he traces the history of his book from conception to publication, pondering the mystery - and indeed the anguish - of so many novels about James appearing at the same time. Lodge's reflections on his own creative practice are accompanied by studies of the genesis, composition and reception of key works by James himself, as well as other novelists from George Eliot to Vladimir Nabokov, and J.M. Coetzee to Graham Greene.
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THE SUNDAY TIMES LITERARY NON-FICTION BOOK OF THE YEAR 2014. THE ECONOMIST BOOKS OF THE YEAR 2014. For more than a decade, the book now considered the most important novel in the English language was illegal to sell, advertise or import. Its author lived in exile; his supporters on the edge of the law. THE MOST DANGEROUS BOOK tells the painful yet exhilarating story of how Joyce's ULYSSES was conceived, written, published, burned, acclaimed and excoriated before taking its place as a masterpiece of world literature.
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As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.