You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
THEODORE KISIEL Date of birth: October 30,1930. Place of birth: Brackenridge, Pennsylvania. Date of institution of highest degree: PhD. , Duquesne University, 1962. Academic appointments: University of Dayton; Canisius College; Northwestern University; Duquesne University; Northern Illinois University. I first left the university to pursue a career in metallurgical research and nuclear technology. But I soon found myself drawn back to the uni versity to 'round out' an overly specialized education. It was along this path that I was 'waylaid' into philosophy by teachers like H. L. Van Breda and Bernard Boelen. The philosophy department at Duquesne University was then (1958-1962) a veritable "l...
None
Conklin's thesis is that the tradition of modern legal positivism, beginning with Thomas Hobbes, postulated different senses of the invisible as the authorising origin of humanly posited laws. Conklin re-reads the tradition by privileging how the canons share a particular understanding of legal language as written. Leading philosophers who have espoused the tenets of the tradition have assumed that legal language is written and that the authorising origin of humanly posited rules/norms is inaccessible to the written legal language. Conklin's re-reading of the tradition teases out how each of these leading philosophers has postulated that the authorising origin of humanly posited laws is an u...
Informative and provocative, this book introduces readers to debates in the contemporary study of religion and suggests future research possibilities.
What does the cross, both as a historical event and a symbol of religious discourse, tell us about human beings? In this provocative book, Brian Gregor draws together a hermeneutics of the self—through Heidegger, Gadamer, Ricoeur, and Taylor—and a theology of the cross—through Luther, Kierkegaard, Bonhoeffer, and Jüngel—to envision a phenomenology of the cruciform self. The result is a bold and original view of what philosophical anthropology could look like if it took the scandal of the cross seriously instead of reducing it into general philosophical concepts.
In this elegant new study Galen Johnson retrieves the concept of the beautiful through the framework of Merleau-Ponty’s aesthetics. Although Merleau-Ponty seldom spoke directly of beauty, his philosophy is essentially about the beautiful. In Johnson’s formulation, the ontology of Flesh as element and the ontology of the Beautiful as elemental are folded together, for Desire, Love, and Beauty are part of the fabric of the world’s element, Flesh itself, the term at which Merleau-Ponty arrived to replace Substance, Matter, or Life as the name of Being. Merleau-Ponty’s Eye and Mind is at the core of the book, so Johnson engages, as Merleau-Ponty did, the writings and visual work of Paul ...
Although this book is a translation from Dutch, the chief obstacle to be overcome was Husser!'s (German) technical terminology. As I sought English equivalents for German phenomenological terms, I made thankful use of Dorion Cairns' Guidefor Translating Husserl as well as existing translations of Husser!'s works, especially J. N. Findlay's rendering of Logische Untersuchungen. Since the technical terminology in the various translations and English studies of Husser! is far from uniform, I had to devise my own system of equivalents for key Husserlian terms. As I translated the quotations from Husserl's works into English, I did consult the available translations and draw on them, but I endeav...
Wolf Krötke is widely acknowledged to be the most important theologian to emerge from the struggle of the churches in the former East Germany. Working creatively in the tradition of Karl Barth and Dietrich Bonhoeffer, he reconsiders the contours of Christian faith in face of the challenges posed by the regnant atheism and cultural disestablishment that continue to shape the cultural landscape of Eastern Germany. This book explores in detail Krötke's contributions to contemporary reflection upon the identity of God, humanity, and the Christian church and, in so doing, sheds light upon questions of theological method important in any context.
"Our inherited image of Nicolo Paganini as a 'demonic violinist' has never been analysed in depth. What really made him 'demonic'? In fact, the many perceptions of Paganini as demonic - Faust, magician, devil, rake/libertine, Napoleon - were inter-related but not equivalent. This book investigates the legend of Paganini: separating fact from fiction, it explains how the legendary violinist challenged the very notion of what it meant to be a musician. An understanding of his violin techniques and musical ethos goes some way towards meeting this aim, beyond which an exploration of the wider cultural context is also presented. This book considers Paganini's performance innovations in the light ...