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Apart from a handful of exotic--and almost completely unreliable--tales surrounding his life, Richard Potter is almost unknown today. Two hundred years ago, however, he was the most popular entertainer in America--the first showman, in fact, to win truly nationwide fame. Working as a magician and ventriloquist, he personified for an entire generation what a popular performer was and made an invaluable contribution to establishing popular entertainment as a major part of American life. His story is all the more remarkable in that Richard Potter was also a black man. This was an era when few African Americans became highly successful, much less famous. As the son of a slave, Potter was fortuna...
With the victory of Henry Tudor, the usurping dynasty made an effort to besmirch the last Plantagenet’s reputation, and some historians claim that Richard’s "black legend" is nothing more than political propaganda. Yet such an interpretation, as Desmond Seward shows in this powerfully-argued book, suggests a refusal to face the facts of history. Even in the king’s lifetime there were rumours about his involvement in the murders of Henry VI and of his nephews, the "Princes in the Tower," while his reign was considered by many to be a nightmare, not least for the king himself. The real Richard III was both a chilling and compelling monarch, a peculiarly grim young English precursor of Machiavelli’s Prince. Sweeping aside sentimental fantasy, this is a colorful, authoritative biography that offers a definitive picture of both the age and the man.
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History.
The African diaspora a direct result of the transatlantic slave trade and Western colonialism has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on the souls of black folk in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture. Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
The revised edition of the Blackabys' "Experiencing God" encourages business and church leaders alike to follow God's biblical design for organizational success.
Based on classic Experiencing God principles, Hearing God's Voice is for those who are ready to listen. Beloved author Henry Blackaby and his son Richard help those who are listening to discern the voice of God, to identify ways He speaks, and to respond to His revelations of His will.God speaks to individuals in ways that are personal and unique to each person. God will never say anything that contravenes what He has said in the Bible, and usually He confirms what He has said. After you learn to listen to God, hearing from God will be as natural as communicating with a close friend.
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A modern classic--revised with more than 70 percent new material--is based on seven Scriptural realities that teach Christians how to develop a true relationship with the Creator.