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"A tribute to Henry W. Sullivan in celebration of his 80th birthday, this volume encompasses a wide spectrum of Hispanic literary scholarship to honor a prolific scholar whose contributions have been extensive, not only as a Golden Age Hispanist but also as a devoted Lacanian scholar, literary critic, translator, poet, novelist, playwright, and composer. The title of the collection comes directly from Sullivan's recent study on tragic drama in the Golden Age of Spain. Even though the "ghost" he attempts to lay there is the critical controversy around defining and classifying tragedy among Spanish classic comedias, the label extends and applies to Sullivan's lifelong commitment to the relevance of Spanish drama of the Golden Age within the universal canon, especially from an English-language perspective. Moreover, his arguments are easily applicable in defense of the Humanities and the significance of Literature amid the unwelcome structural changes in Academia"--
Cervantes's great novel Don Quixote is a diptych, the first part of which was published in 1605 and the second in 1615. Focusing almost entirely on the novel's second part, Henry W. Sullivan is the first critic to offer a systematic account of Don Quixote's passage from madness to sanity. Sullivan argues that Part II of the novel is a salvation epic, within which the Cave of Montesinos episode is the single most important pivot in the Knight's confrontation with his own emotional difficulties. In this carefully researched and challenging study, Sullivan shows that chapters 22-24 (the Cave of Montesinos episode) represent an entrance into Purgatory, while chapter 55 is the exit from this real...
A real breakthrough in terms of applying a theoretical protocol to biographical material has come with Henry W. Sullivan’s unpromisingly titled The Beatles With Lacan: Rock’n’Roll as Requiem for the Modern Age. Sullivan provides an excellent analysis of the Beatles’ career – perhaps, along with Ian MacDonald’s Revolution in the Head (Fourth Estate, 1994), the best so far available. But in using the work of Lacan, Sullivan offers a psychoanalytic framework to discuss personality and creativity. He also provides a provocative analysis of the roots of rock’n’roll, arguing that the paternal guard of the time, born in the first two decades of the twentieth century, were traumatize...
Calderon de la Barca's La vida es sueno (1636) has proven to be more popular than any of Shakespeare's plays in a number of European countries during the last three centuries. This book is an attempt to capture the openness in contemporary scholarly discourse.
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