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The Politics of Cultural Despair
This is a study in the pathology of cultural criticism. By analyzing the thought and influence of three leading critics of modern Germany, this study will demonstrate the dangers and dilemmas of a particular type of cultural despair. Lagarde, Langbehn, and Moeller van den Bruck-their active lives spanning the years from the middle of the past century to the threshold of Hitler's Third Reich-attacked, often incisively and justly, the deficiencies of German culture and the German spirit. But they were more than the critics of Germany's cultural crisis; they were its symptoms and victims as well. Unable to endure the ills which they diagnosed and which they had experienced in their own lives, they sought to become prophets who would point the way to a national rebirth. Hence, they propounded all manner of reforms, ruthless and idealistic, nationalistic and utopian. It was this leap from despair to utopia across all existing reality that gave their thought its fantastic quality.
Forgotten Pages in Baltic History
The years from 1918 to 1945 remain central to European History. It was a breath-taking time during which the very best and very worst attributes of Mankind were on display. In the euphoria of peace which followed the end of the First World War, the Baltic States emerged as independent forces on the world stage, participating in thrilling experiments in national and transnational governance. Later, following economic collapse and in the face of rising totalitarianism among even Europe’s most cultured nations, Baltic communities succumbed to nationalism too. During wartime, Baltic peoples became both victims and, sometimes, victimisers. Ultimately their victimhood lasted until the end of the Cold War, yielding consequences still discernible at the start of the twenty first century. Taking the period 1918 to 1945 as pivotal, this collection of essays examines some of the key themes in Baltic History as they are emerging today. These include appreciations of identity, autonomy and the rights of national minorities; the everyday and social foundations of international security; and the importance of historical memory to popular and political identities.
Neue Werkkunst
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Insiders and Outsiders
Insiders and Outsiders addresses various aspects of Jewish and Gentile interaction since the development of the German-Jewish literary and cultural identity in the early nineteenth century. Containing the work of prominent scholars, critics, and journalists involved with German-Jewish studies from around the world, this ambitious anthology of literary and cultural criticism suggests a reevaluation of important cultural and literary issues, including the problem of cultural diversity with regard to German-speaking countries and the question as to what constitutes German cultural identity in multicultural central Europe. This volume highlights the centrality of the Jewish presence in the heart...
George Bernard Shaw: Collected Works
George Bernard Shaw (1856–1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his own play) This edition includes: Novels: Cashel Byron's Profession An Unsocial Socialist Love Among The Artists The Irrational Knot Plays: Widowers' Houses The Philanderer Mrs. Warren's Profession The Man Of Destiny Arms And The Man Candida You Never Can Tell The Devil's Disciple Captain Brassbound's Conversion Caesar And Cleopatra The Gadfly or The Son of t...
Max Nettlau’s Utopian Vision
Max Nettlau’s Utopian Vision gives a historically grounded presentation of the entire literature of utopianism. Nettlau shows an encyclopedic knowledge of the subject. He passionately believes that the value of utopian thinking and class struggle should not be underestimated as utopian desire exists in all of us. Utopian thinking, according to Nettlau, stimulates the imagination and awakens the desire to attain a better life for everyone. Without it, human progress is impossible.
The Art and Artists of the Fifth Zionist Congress, 1901
Martin Buber and friends successfully lobbied the congress for inclusion of cultural Zionism into the official agenda of the Zionist organization, resulting in the establishment of the Bezalel Art Institute in Jerusalem in 1905. In the first book of its kind, Gilya Gerda Schmidt places this art exhibition in the context of political Zionism as well as anti-Semitism. Jews had been denied the opportunity to be creative, and religious Zionists feared that Jewish culture would usurp religion within the Zionist movement. Hermann Struck, an artist and Orthodox Jew, became a founding member of the religious Zionist Party, further supporting Buber's assertion that culture and religion were not at odds. The forty-eight works of art in the exhibition were created by eleven artists, all but two of whom were famous in their lifetime. Until now, their works had been largely forgotten. In the last decade, contributing artists—Ephraim Lilien, Lesser Ury, Jozef Israels, Struck, and Maurycy Gottlieb—have enjoyed a revival of their work.
Yiddish Empire
Relates the untold story of a traveling Yiddish theater company and traces their far- reaching influence
