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American Catholic women rarely surface as protagonists in histories of the United States. Offering a new perspective, Kathleen Sprows Cummings places Catholic women at the forefront of two defining developments of the Progressive Era: the emergence of the "New Woman" and Catholics' struggle to define their place in American culture. Cummings highlights four women: Chicago-based journalist Margaret Buchanan Sullivan; Sister Julia McGroarty, SND, founder of Trinity College in Washington, D.C., one of the first Catholic women's colleges; Philadelphia educator Sister Assisium McEvoy, SSJ; and Katherine Eleanor Conway, a Boston editor, public figure, and antisuffragist. Cummings uses each woman's story to explore how debates over Catholic identity were intertwined with the renegotiation of American gender roles.
"What's Left? employs a thoroughly in-house approach in which self-identified liberal Catholics examine various facets of liberal Catholicism.... this book explores some of the most prominent threads of leftist Catholic aspiration and dissent." --Choice What's Left? is the most comprehensive study to date of liberal American Catholics in the generation following the second Vatican council (1962-65). The main features of liberal American Catholicism--feminist theology and practice, contested issues of sexual conduct, new social locations of academic theology, liturgy, spirituality, ministry, race and ethnicity, and public Catholicism--are presented here in their historical and social contexts.
Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork ...
The first publication of an extensive correspondence between two of the century's greatest American jurists.
Patrick John Ryan was a Roman Catholic priest, bishop and archbishop in America in very turbulent and challenging times. He experienced the mass influx of European immigrants, anti-foreigner and anti-Catholic prejudice, the American Civil War and efforts to serve the needs of the African Americans and Native Americans. Ireland prepared him for the life he chose to lead. He encountered religious discrimination and the penal-law mentality and he witnessed the Great Famine. Influenced by the accomplishments of Daniel O'Connell, he began to develop his skills as an orator for which he was to gain a world-wide reputation.