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The Blessed Abyss
One woman's memories of her deportation to Ravensbrück Concentration Camp for Women in July 1941. On February 4, 1941, Nanda Herbermann, a German Catholic writer and editor, was arrested by the Gestapo in Münster, Germany. Accused of collaboration with the Catholic movement, Herbermann was deported to Ravensbrück Concentration Camp for Women in July 1941 and later released upon direct orders from Heinrich Himmler on March 19, 1943. Although she was instructed by the Gestapo not to reveal information about the camp, Herbermann soon began to record her memories of her experiences. The Blessed Abyss was originally published in German under the imprint of the Allied occupation forces in 1946, and it now appears in English for the first time. Hester Baer and Elizabeth Baer include an extensive introduction that situates Herbermann's work within current debates about gender and the Holocaust and provides historical and biographical information about Herbermann, Ravensbrück, and the Third Reich.
The Blessed Abyss
One woman’s memories of her deportation to Ravensbrück Concentration Camp for Women in July 1941. On February 4, 1941, Nanda Herbermann, a German Catholic writer and editor, was arrested by the Gestapo in Münster, Germany. Accused of collaboration with the Catholic movement, Herbermann was deported to Ravensbrück Concentration Camp for Women in July 1941 and later released upon direct orders from Heinrich Himmler on March 19, 1943. Although she was instructed by the Gestapo not to reveal information about the camp, Herbermann soon began to record her memories of her experiences. The Blessed Abyss was originally published in German under the imprint of the Allied occupation forces in 1946, and it now appears in English for the first time. Hester Baer and Elizabeth Baer include an extensive introduction that situates Herbermann's work within current debates about gender and the Holocaust and provides historical and biographical information about Herbermann, Ravensbrück, and the Third Reich.
German Women's Writing in the Twenty-first Century
Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived.
The Cat Has Nine Lives
Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.
Light Motives
Critics rarely associate popular film with German cinema, despite the international success of such films as Das Boot (1981), The Never-Ending Story (1984), Run, Lola, Run (1998), and recent German comedies, all representing a rich body of work outside the parameters of high culture. This very success compels the authors of Light Motives to take an unprecedented look at German popular film across the historical spectrum and to challenge the tendency among critics to divvy up German film, like Germans themselves, into the Good and the Bad. Together the essays reexamine popular film production along with larger cultural, historical, and political meanings suggested by the term "popular." Most ...
Digital Feminisms
The relative rise or decline of feminist movements across the globe has been debated by feminist scholars and activists for a long time. In recent years, however, these debates have gained renewed momentum. Rapid technological change and increased use of digital media have raised questions about how digital technologies change, influence, and shape feminist politics. This book interrogates the digital interface of transnational protest movements and local activism in feminist politics. Examining how global feminist politics is articulated at the nexus of the transnational/national, we take contemporary German protest culture as a case study for the manner in which transnational feminist activism intersects with the national configuration of feminist political work. The book explores how movements and actions from outside Germany’s borders circulate digitally and resonate differently in new local contexts, and further, how these border-crossings transform grass-roots activism as it goes digital. This book was originally published as a special issue of Feminist Media Studies.
A New History of German Cinema
A dynamic, event-centered exploration of the hundred-year history of German-language film. This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief sect...
The Golem Redux
Traces the history of the golem legend and its appropriations in German texts and film as well as in post-Holocaust Jewish-American fiction, comics, graphic novels, and television. First mentioned in the Book of Psalms in the Hebrew Bible, the golem is a character in an astonishing number of post-Holocaust Jewish-American novels and has served as inspiration for such varied figures as Mary Shelley’s monster in her novel Frankenstein, a frightening character in the television series The X-Files, and comic book figures such as Superman and the Hulk. In The Golem Redux: From Prague to Post-Holocaust Fiction, author Elizabeth R. Baer introduces readers to these varied representations of the go...
Mad Mädchen
The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines.
Homemade Men in Postwar Austrian Cinema
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.
