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Acts of Creation
Exploring maternity through the work of artists from prehistory to the present day, Acts of Creation addresses the abiding mother-shaped hole in art history.
Art London
* An engaging and accessible guide to the galleries, art museums and artists of London, past and present* Authored by Hettie Judah, contributor on art for The Guardian, The New York Times and Vogue* Exclusive photography includes portraits of Tracey Emin, Anish Kapoor, Grayson Perry, Chantal Joffe, Rasheed Araeen, Jeremy Deller, Yinka Shonibare and many more, in their own studios* Part of a new series exploring London culture, joined by Vinyl London, Rock 'n' Roll London, Writers' London and London PeculiarsProdigies, revolutionaries, defiers of the patriarchy; drunks, rebels and impassioned immigrants; queer pioneers, paint-spattered punks and proto-feminists: there have always been artists...
Lapidarium
'A delightful storybook . . . a portrait of our whole world created from the contents of the ground' Literary Review 'A real cabinet of curiosities' Sunday Times From the hematite used in cave paintings to the moldavite that became a TikTok sensation; from the stolen sandstone of Scone to the unexpected acoustics of Stonehenge; from crystal balls to compasses, rocks and minerals have always been central to our story. 3,000 years ago Babylonians constructed lapidaries - books that tried to pin down the magical secrets of rocks. In The Secret Lives of Stones, renowned art critic Hettie Judah explores the unexpected stories behind sixty stones that have shaped and inspired human history, from D...
Summary of Hettie Judah's Lapidarium
Get the Summary of Hettie Judah's Lapidarium in 20 minutes. Please note: This is a summary & not the original book. "Lapidarium" by Hettie Judah explores the multifaceted relationship between humans and stones, delving into historical, cultural, and scientific aspects. The book examines how precious stones and marble have symbolized wealth, power, and divine authority throughout history, with figures like Catherine the Great and Queen Elizabeth I using jewels to reflect their nations' affluence. It discusses the role of geology in empire-building through resource extraction and the symbolic meanings of stone structures, such as London's use of Portland limestone and the impermanence of stone ruins...
Caroline Walker - Janet
Celebrated for her paintings of women in diverse contexts, from Los Angeles hotels to temporary social housing, Caroline Walker navigates subjects including the pay gap, the beauty industry, gender stereotypes, and ageism. Here she presents a body of work depicting the daily life of the artist's mother at the family home in Fife, Scotland.
Slow Painting
Slow Painting presents the work of 19 primarily British and UK-based artists whose work explores ideas around the concept of 'slowness' and what it might mean in relation to contemporary painting: how it might be present in the making of the work, how the works reveal themselves slowly, and how they fit into the continuum of art history.Acting as a counterbalance to an increasingly accelerating world, painting offers a space of pause, contemplation and gradual unfurling, for both the painter and the viewer. Spanning diverse approaches, from figuration to abstraction and somewhere in between, Slow Painting surveys painting's role as a rewarding repository of time.With an original essay by curator and writer Martin Herbert, this publication also includes a roundtable discussion between a number of the artists and art critic Hettie Judah.Published to coincide with the Hayward Gallery touring exhibition in 2019-20: at Leeds City Art Gallery (25 October 2019 - 12 January 2020); The Levinsky Gallery, Plymouth (24 January 2020 - 28 March 2020); The Edge and Bath Spa University (10 April - 6 June 2020); Inverness Museum & Art Gallery and Thurso (July - October 2020).
How Not to Exclude Artist Mothers (and Other Parents)
For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other sectors of the art world). Drawing on interviews with artists internationally, the book highlights some of the success stories that offer models for the future, from alternative support networks and residency models, to studio complexes with onsite childcare, and galleries with family-friendly policies. Some artists have described motherhood as providing them with renewed focus, a new direction in their work, and even inspiration for a complete change of career. Other artists choose to keep their domestic and creative lives compartmentalised. All are placed at a disadvantage by the art world as it is currently structured. This book argues that by making changes and becoming more sensitive to the needs of artist parents, the art world has much to gain.
London's New Scene
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
On Display
'On Display' is a large format collection of highlights from the Hayward Gallery's archive of exhibition posters. The archive acts as both a who's-who of contemporary art and a compilation of some of Britain's finest exhibition poster design.
Tell Them I Said No
Essays on artists who have withdrawn from the art world or have adopted an openly antagonistic position against it. This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms. A large part of the artist's role in today's professionalized art system is being present. Providing a counterargument to this concept of self-marketing, Herbert examines the nature of retreat, whether in protest, as a deliberate conceptual act, or out of necessity. By illuminating these motives, Tell Them I Said No offers a unique perspective on where and how the needs of the artist and the needs of the art world diverge. Essays on Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York.
