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"The fifth annual 'Unaffiliated Artists' exhibition represents innovative and chance-taking work from both Long Island and Manhattan. this year we have chosen eight artists whose work goes beyond what is termed the 'traditional, ' using materials and imagery in most unique and inventive ways. Not only are various materials used in adventuresome ways, but the works also ahve a dramatic effect on our emotions and reactions."--Carol Becker-Davis, page [1].
"The goal of 'montage' as an exhibition is to link the work of emerging artists to the historical tradition and to the work of an older generation of monteurs whose contributings to the medium have been under recognized. In assembling the work socio-political critique and psycho-sexual workings of the subconcious emerged as predominant themes. This exhibition makes no pretense to making a definitive statement about the medium, but merely presents the contribution of twelve fine artists to what is unquestionably a dynamic and uniquely twentieth century art form."--Joan Harrison, page 3.
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"The artists in this exhibition, the variousness of their work, is one indication of the plenitude of possibilities currently being explored. Although these artists have developed a language largely comprised of linear elements, their work is notable for its distinct statement and identity. There is the awkward yet graceful work of Alan Saret, and there is the gravity defying unfolding of Judy Pfaff's wall relief. Clearly, there is no mistaking one person's work for another's. There is no overriding style or subject matter. There is only specificity and evocativeness, the particular way something mysterious and disquieting has been expressed."--John Yau, page 8