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Organic Chemistry
Organic Chemistry: A mechanistic approach provides readers with a concise review of the essential concepts underpinning the subject. It combines a focus on core topics and themes with a mechanistic approach to the explanation of the reactions it describes, making it ideal for those looking for a solid understanding of the central themes of organic chemistry. Opening with a review of chemical bonding and molecular shape and structure, the book then introduces the principal groups of organic compound before exploring the range of reactions they undergo. It retains an emphasis throughout on how and why organic compounds behave in the way they do, with a chapter on how mechanisms are investigate...
Orhan Pamuk
The streetscapes of Istanbul as photographed by Nobel prize-winning novelist Orhan Pamuk in an exquisitely printed clothbound edition The dominant color in Orhan Pamuk's new book of photographs is orange. When the Nobel-Prize-winning novelist is finished with the day's writing, he takes his camera and wanders through Istanbul's various neighborhoods, visiting the backstreets of his town, areas without tourists, spaces that seem neglected and forgotten, spaces with a particular light. This is the orange light of Istanbul's windows and streetlamps that Pamuk knows so well from his childhood--from the Istanbul of 50 years ago, as he mentions in his introduction. But Pamuk also observes that the...
The Goldfinger Files
As one of popular culture's most charming and enduring characters, James Bond needs no introduction. Neither does Goldfinger (1964), perhaps the classic Bond film and undoubtedly the beginning of 1960s Bondmania. Incorporating much unpublished material including photographs and the original typed screenplay, The Goldfinger Files is an illustrated history of the film's iconic scenes shot in Switzerland's Urseren Valley, crowned by the car chase with Bond's gadget-laden Aston Martin. To maximize publicity for the film, its makers took the unorthodox step of inviting journalists and photographers onto the set, resulting in a wealth of photos including those by Hans Gerber, Josef Ritler and Erich Kocian. These give us an insider's view of the famous sequence- Goldfinger's Rolls-Royce on the dusty mountain road, Tilly Masterson's failed assassination attempt on him, the chase between her Mustang and Bond's Aston Martin, and finally Goldfinger's smelting factory. Dozens of private pictures revealing candid, behind-the-scenes moments complete this documentary flipbook of golden-age James Bond culture.
FloodZone
FloodZone is Miami-based Russian photographer Samoylova's account of life on the knife-edge of the Southern U.S.: in Florida, where sea levels are rising and hurricanes threaten. These beautifully subtle and often unsettling images capture the mood of waiting, of knowing the climate is changing, and of living with it.
Walking the High Line
This is the first book of Sternfeld's largely unseen early colour photographs. In 1969 Sternfeld began working with a 35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition. But there are also pictures that bear little relation to his later work: colour arrangements that parallel those of Eggleston, as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made at a time when colour photography was struggling to assert itself against the authoritative black and white tradition, making this book a revelation both in Sternfeld's oeuvre and in the history of contemporary photography.
New York
The starting point for Evelyn Hofer's New York is the 1965 book New York Proclaimed, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication. New York Proclaimed is an example of Hofer's perhaps most important body of work, her city portraits: books that present comprehensive prose texts by renowned authors alongside her self-contained visual essays with their own narratives. The newly conceived New York focuses on Hofer's photos of the 1960s as well as until now unpublished images from the early 1970s. In Hofer's photos of the street and (semi-)public spaces, people and architecture become symbols of a particular time and place. She immersed herself in New York society and captured these aspects of the everyday--inconspicuous and subtle, yet all the more enduring for being so--in images that invariably reflect the zeitgeist. New York contains a new essay by John Haskell which posits possible stories behind Hofer's photos and draws connections between images taken over the course of ten years.
African Canvas
Over a period of three years' travel, acclaimed photojournalist Margaret Courtney-Clarke has documented the artifacts and traditional art of West African women, particularly their brilliantly colored and dynamic wall painting. "The beauty of African Canvas takes the breath away".--The New York Times Book Review. 181 color photographs.
Martine Fougeron: Nicolas and Adrien. a World with Two Sons
A sensual photo-biography of two adolescents at the threshhold of adulthood Nicolas & Adrien. A World with Two Sons is a series of intimate portraits of French American photographer Martine Fougeron's (born 1954) two sons and their friends growing up in New York and France. Both tender and distanced, the book is a visual bildungsroman that delves into the intense present of her sons' adolescent states of mind before they become independent adults. Nicolas et Adrien consists of two interconnected bodies of work, Teen Tribe (2005-10) and The Twenties (2010-18). Composed mostly of photos taken at Fougeron's New York home and during summers in the South of France, Teen Tribe explores adolescence as a liminal state between childhood and adulthood, and follows the adolescent's interior quest and development of character. The Twenties captures the period between adolescence and full adulthood, depicting her sons' college years, trials with vocations and work, new friends and lovers, holidays and family celebrations. Nicolas & Adrien is a sensual biography of two adolescents and a depiction of the universal processes of growing up to which all can relate.
Orhan Pamuk: Balkon
In the winter of 2011 Nobel-Prize-winning Turkish novelist Orhan Pamuk took 8,500 color photographs from his balcony with its panoramic view of Istanbul, the entrance of the Bosphorus, the old town, the Asian and European sides of the city, the surrounding hills, and the distant islands and mountains. Sometimes he would leave his writing desk and follow the movements of the boats as they passed in front of his apartment and sailed far away. As Pamuk obsessively created these images he felt his desire to do so was related to a strange particular mood he was experiencing. He photographed further and began to think about what was happening to himself: Why was he taking these photos? How are seeing and photography related? What is the affinity between writing and seeing? Why do we enjoy looking at landscapes and landscape photographs? Balkon presents almost 500 of these photos selected by Pamuk, who has also co-designed the book and written its introduction. 'There is genius in Pamuk's madness.' -Umberto Eco
The Innocence of Memories
The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work. Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.
