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Comprising all of the sumptuous visual books published by Steidl over the last 15 years--around 1,000 titles in total--in an edition of 50 sets This unprecedented collection includes many books otherwise out of print, and is a rare opportunity to possess a piece of recent bookmaking history. It features works by some of the most renowned practitioners of the medium, including Robert Adams, Lewis Baltz, Bruce Davidson, Robert Frank, Nan Goldin, Karl Lagerfeld, Dayanita Singh, Joel Sternfeld and Juergen Teller, and seminal visual artists such as Jim Dine, Roni Horn and Ed Ruscha. Steidl Book Culture, 2006-2020 is a visual and tactile workshop in the craft of Steidl books: how design, typograph...
"What is presented here is a selection from hundreds of photos. Our respective authorship is not specific, particularly since, in individual cases, we can no longer figure out which one of us clicked the shutter"--Page [5].
Delving into critical and familiar themes of William Eggleston’s work, his recently revisited body of photographs, The Outlands, goes on a journey with him through the mythic and evolving southern landscape. Vibrant colors and a profound nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. His experimental composition peers through layered scenes—an orange sunset dips into an abandoned diner as we observe from the cracked parking lot—expanding the boundaries of interior and exterior. These idiosyncratic moments are emblematic of Eggleston’s curated yet innovative practice.
Something So Clear is Kapil Das' patient look behind the visual clich�s and stereotypes that have come to define India. Consisting of a tight edit from thousands of photos taken over a decade, the book shows the spectrum of India through land- and streetscapes, portraits and everyday happenings, some as deceptively simple as a man carrying a mattress or a beetle resting on a leaf. Sequenced not chronologically or geographically but by intuition, humor and mood, Something So Clear is an archive of impressions that embraces the chaos of life and contains images that in Das' words are "from a place but not of a place." While trained as an ethnologist, Das casts aside a strictly analytical approach to capture ephemeral encounters in photos he deems "psychological portals" into his subjects' (and his own) self. Serendipity not certainty guides Das and makes the title of this book delightfully ironic: "something so clear" is an alluring yet unreachable ideal.
Lesser Known presents Bruce Davidson's photos made between 1955 and 1993 that have been overshadowed until now. Consisting of 130 images that have been consistently overlooked throughout Davidson's long career, the book is the result of a year-long undertaking by the photographer and his studio to examine 60 years of contact sheets and edit individual images into a singular work that plots his professional and personal growth. Lesser Known showcases Davidson's perpetual versatility and adaptability as a photographer through a focus on early assignments, the intimate documentation of his family life and smaller series such as unpublished color photographs from major bodies of work including "East 100th Street" and "Campers."
This book embodies Japanese street photography now. Composed of black-and-white photos taken throughout Tokyo's bustling wards, Friction / Tokyo Streets reveals unexpected meaning and beauty in the mundane, be it in an image of a girl navigating a zebra crossing, cropped legs standing on a subway platform, shifting reflections in a store window, or a pigeon caught mid-flight. Suzuki captures the spontaneous gestures, glimpses and abstractions that comprise the best street photography. Yet as the book's title reveals, it is the con - flicting and contradictory energies of the street that lie at the core of his project: "Through my own eyes ... I would like to express the tension, the edged frustration, the taut atmosphere and the feelings that beat, inherent in the city." 'No one moment is most important. Any moment can be something.' -Garry Winogrand
"Saul Leiter's early black and white photographs are as innovative and challenging as his highly regarded early work in color. Breaking with the documentary tradition, Leiter responded to the dynamic street life of New York City with a spontaneity and openness that resulted in vibrant, impressionistic images that have the immediacy of an accomplished artist's sketch. With his unconventional framing and nuanced use of light, shadow and tone, Leiter created images with a lyrical subtlety like no other photographer of his era, and brought the same sensibility to his intimate and frank portrayals of family members and friends. Early Black and White shows the impressive range of Leiter's early photography."--Slipcase.
Paper Passion Perfume captures the unique bouquet of freshly printed books. Designed by boutique perfumer Geza Schoen in close consultation with Gerhard Steidl and in collaboration with Wallpaper* magazine, the perfume expresses that peculiar mix of paper and ink which gives a book its unmistakable aroma, along with the fresh scent which a book opened for the first time releases. Schoen spent days in the depths of the paper-filled Steidl headquarters in Göttingen, sifting through books, papers samples and inks, to find inspiration for a perfume that is true to books, wearable, and which ages well in time - just like a good book. It took Schoen seventeen trials to preserve in his words, "the...
With secrets drawn from her archive, Graciela Iturbide creates a curious world in which the human subjects we encounter in her widely-known portraits are absent. In Asor, the human subject is the reader alone, dream borne, on a journey in which all places remain nameless, time cannot be ascertained and the course is lost to the imagination. Loosely inspired by Alice in Wonderland, Iturbide constructs her intimate and contemporary extension of Lewis Carroll's classic tale without words, making equal use of the narrative and compositional elements of Iturbide's photographs to startle her readers with visual riddles and quick shifts of perspective. To accompany a reader along this unlikely journey are six electroacoustic works by composer Manuel Rocha Iturbide. These works, composed over a 15-year period from 1990 to 2005 from sources taped by Rocha Iturbide during his extensive travels, were selected by the composer in response to his mother's photographs.
Fed by thrilling recent discoveries from Saul Leiter's vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist's studio in New York City's East Village, these black-and-white images reveal the unique collaboration between Leiter and his subjects. In the 1970s, Leiter planned to make a book of his nudes, but never realized the project in his lifetime. Now we are granted a first-time look at this body of work, which Leiter began on his arrival in New York in 1946 and chipped away at over the next two decades. Leiter, who was also a painter, incorporates abstract elements into these photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. The prolific Leiter, who painted and took pictures fervently up to his death, worked in relative obscurity well into his eighties. Leiter preferred solitude in life, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery.