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The Prophet
The Prophet takes place within the confines of a basketball court over three days. Five cousins from around the country - and all very different - meet up for the unveiling of a headstone for their cousin Joshua who has committed suicide a year earlier. Like real life, Joshua was a high achiever. He was special. He was a prophet. The Prophet is the third part of a loose trilogy with Waiora and Home Fires.
Waiora
The year is 1965. A Maori family, recently migrated to the South Island from the North Island's east cape, prepares to celebrate a birthday with their Pakeha guests. In this cultural borderland, freshly-forged identities are passports presented for a passage to prosperity. Yet origins cannot be easily forgotten. Waiora is compelling, comic, devastating. Exploring differing interpretations of home and belonging, it addresses, in Kouka's words, "all of us who have travelled from somewhere else." The critically acclaimed Waiora was commissioned by the 1996 Wellington International Festival of the Arts, where it played to sell out audiences. Since its initial success the play has travelled internationally and has become a set text for secondary and tertiary courses.
Performing Aotearoa
"This ... volume comprises a wide range of chapters focusing on key figures in the development of New Zealand theatre and drama, such as, among others, Robert Lord, Ken Duncum, Gary Henderson, Stephen Sinclair, Hone Kouka, Briar-Grace Smith, Jacob Rajan, Lynda Chanwai-Earle, Nathaniel Lees, and Victor Rodger."--Publisher description.
Transgressive Itineraries
The fast-growing body of postcolonial drama is progressively gaining its just recognition in the twentieth-century canon of English-language plays. From the vantage point of various samplings along the Trans-Pacific axis linking English Canada, Australia and New Zealand, this monograph seeks to document the significance of this emerging postcolonial theater. More specifically, it examines the myriad ways in which, over the last two decades, representative mainstream, ethnic and First Nations playwrights have dramatized Europe's «Other» in its multiple guises. In their efforts to match new content with innovative form, these artists have followed transgressive itineraries, redrawing the bou...
The Palgrave Handbook of Theatre and Race
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Rehearsal Practices of Indigenous Women Theatre Makers
This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman’s standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.
Theatre and Human Rights after 1945
This volume investigates the rise of human rights discourses manifested in the global spectrum of theatre and performance since 1945. Essays address topics such as disability, discrimination indigenous rights, torture, gender violence, genocide and elder abuse.
World Theories of Theatre
World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre. Identifying major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with extended excerpts from primary materials, specific primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, Oceania, Latin America, East Asia, and India. The volume is divided into three sections: Theoretical questions, which applies cross-cultural perspectives to key issues from aesthetics to postcolonialism, interculturalism, and g...
Verbatim
The product of more than 30 interviews with convicted murderers, their families and the families of murder victims, this work was devised as mixture of documentary and drama to be performed by a solo actor. Miranda Harcourt's performance in prisons and in theatres in New Zealand and Edinburgh has been widely acclaimed. The text of the performance piece is presented, and there is an afterword by William Brandt.
