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The Russian Hero in Modern Chinese Fiction
Comprehensive study demonstrates how Chinese writers, in particular the writers of the May Fourth Movement of 1919, guided by Russian authors of the 19th century, created works of art that are both original and Chinese. Glossary of names and terms. This is the Chinese U. Press (of Hong Kong) edition of 1986. Annotation copyrighted by Book News, Inc., Portland, OR
Signposts of Self-Realization
In Signposts of Self-Realization, Xinmin Liu offers an ontological study of education and development of the individual self through the prisms of ethical progress and social evolution in the context of modern Chinese literature and film. Did self-realization in the Chinese modern follow the law of Social Darwinism: the biggest ego always won out? Is individualism always self-regarding, never other-regarding? How did the Greater I evolve out of the Lesser I socially and ethically? Confronting these questions, the author navigates through the terrains of paraphrastic translation, Buddhist nonself, lyrical epiphany, redemptive memory and ethnic orality to map out an alternative path for the growth of a modern Chinese self.
The History of Modern Chinese Grammar Studies
This book discusses the way Chinese scholars developed a national grammar. Chinese didn’t develop grammar until China’s contact with Western grammar books in the 19th Century. The first indigenous grammar was published in 1889. It included some traditional notions, but mainly imitated European grammar. It was followed by a number of other similar works. To move away from this imitation, a group of grammarians started to look into the Chinese tradition of commenting on classics. This led to a variety of alternative grammars. After the war, Western linguistics started to gain influence in China. With the establishment of the PRC in 1949, efforts began to have a standard grammar adopted nat...
An Artistic Exile
Publisher description
Zhu Guangqian’s Life and Philosophy
Zhu Guangqian’s Life and Philosophy. An Introduction is Mario Sabattini’s last uncompleted work dedicated to the work of Zhu Guangqian, one of the most representative figures of contemporary Chinese aesthetics.
The Lure of the Modern
Shu-mei Shih's study is the first book in English to offer a comprehensive account of Chinese literary modernism from Republican China. In The Lure of the Modern, Shih argues for the contextualization of Chinese modernism in the semicolonial cultural and political formation of the time. Engaging critically with theories of modernism, postcoloniality, and global and local cultural studies, Shih analyzes pivotal issues—such as psychoanalysis, decadence, Orientalism, Occidentalism, semicolonial subjectivity, cosmopolitanism, and urbanism—that were mediated by Japanese as well as Western modernisms.
Heaven Has Eyes
In Heaven Has Eyes, Xiaoqun Xu provides a comprehensive yet concise history of Chinese law and justice from the imperial era to the post-Mao era. Xu addresses the evolution and function of law codes and judicial practices throughout China's long history, and examines the transition from traditional laws and practices to modern ones in the twentieth century.
The A to Z of Modern Chinese Literature
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
