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A showcase of poetry from some of the darkest and most lyrical voices of women in horror. Under Her Skin features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror. Centered on the innate relationship between body horror and the female experience, this collection features work from Bram-Stoker Award&® winning and nominated authors, as well as dozens of poems from women (cis and trans) and non-binary femmes. Edited by Lindy Ryan and Toni Miller, Under Her Skin celebrates women in horror from cover to cover. In addition to poems contributed by seventy poets, the collection also features a foreword penned by Science Fiction Poetry Association (S...
A showcase of poetry from some of the darkest and most lyrical voices of women in horror. A follow-up to the award-winning poetry showcase Under Her Skin, UNDER HER EYE features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror, themed on domestic horror and the terror women too often experience in their own homes. Edited by Lindy Ryan and Lee Murray, UNDER HER EYE celebrates women in horror from cover to cover. In addition to poems contributed by over one hundred poets worldwide, the collection features poems from Stephanie M. Wytovich, Jessica McHugh, and Marge Simon, with cover art by noted horror artist Lynne Hansen and an introduction by Bram Stoker Award®-winning poet Sara Tantlinger. This showcase is produced in partnership with The Pixel Project, a global non-profit organization focused on ending violence against women globally.
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.
These poems have been written over the course of several years, and therefore reflect a myriad of sensibilities. Some of the poems reflect emotions as they pertain to feeling alienated, misunderstood, or different, gothic subculture, desire, morbid curiosity, and a love of all things dark, embracing our darkest fears, and confronting our inner demons.
Who doesn't need to know How To Recognize A Demon Has Become Your Friend? From the first African-American to receive the HWA Bram Stoker award, this collection of both horror and science fiction short stories and poetry reveals demons in the most likely people (like a jealous ghost across the street) or in unlikely places (like the dimension-shifting dreams of an American Indian). Recognition is the first step, what you do with your friends/demons after that is up to you.
Tombstones mark the passage of one's life and time, as do the poems within this collection. Each poem is a paper marker of day mares past, and nightmares still lingering. The book, weathered by age, represents Clark's best horror poetry penned over the past two decades. Creepy, grotesque, insane, and humorous to boot; a perfect read for horror poetry fans, and those unafraid of the dark. Light a torch, lean back against someone else's tombstone, and, dig in.
Into The Forest And All The Way Through is a collection of true crime poetry that explores the cases of over one hundred missing and murdered women in the United States."This book shook me, ripped my heart out, and haunts me still. Into the Forest and All the Way Through shines a harsh light on a subject society has been far too content to ignore...and it's about goddamn time. This Is a vital collection." -Kealan Patrick Burke, Bram Stoker Award-winning author of Sour Candy
Bram Stoker Award-winner Sara Tantlinger delivers her Cradleland of Parasites, a harrowing and darkly gorgeous collection of poetry, chronicling the death and devastation of one of history's greatest horrors: The Black Plague.
Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.
A collection of wonderfully hilarious, seriously scary rhymes put together by a master compiler, well known for his collections with OUP. John Foster is a poet in his own right and is highly-regarded in both the trade and in schools for his brilliant collections. SERIOUSLY SCARY POEMS continues a sparkling new collection of nonsense poems which mark the return of Collins Children's Books to poetry publishing. John Foster is a well-known poet, anthologist and teacher who is highly-regarded both in the trade and in schools.