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"Explores the horse in Indian mythology and history. Despite the fact that horses were imported to India and associated with foreigners and conquerors, Indian villagers created wonderful stories and brilliant visual images of horses. The author relates how Turkish horses, tribal horses, Dalit horses, Hindu stallions, and Arab mares all mix in streams of story that raise issues about the assimilation of foreign cultures in India"--
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This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's Gulliver's Travels and George Stubbs's portrait of Whistlejacket.
Since its first publication in 1989, The Arab Horse has been recognized as the definitive work on the subject. This, the third edition, has been substantially revised and redesigned to bring the story of the Arab horse to a new generation of enthusiasts of the breed, and to coincide with the opening of the British Museum's exhibition on 'The Horse from Arabia to Royal Ascot' in May 2012. The first Arab stallion brought into Britain from the Desert of Arabia was Padischah, imported in the 1830s, whose pure-bred line still exists. Since the first edition of The Arab Horse - subtitled 'A Complete Record of the Arab Horses Imported into Britain from the Desert of Arabia from the 1830s' - more im...
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