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This literary biography thoroughly investigates how Foote's life and worldview have shaped his works for stage, television, and film. Tracing the whole trajectory of Foote's career, Watson demonstrates that Foote has created a fully imagined mythical world from the materials supplied by his own and his family's and friends' lives. 8 photos.
Winner of the Pulitzer Prize for Drama for The Young Man from Atlanta and Academy Awards for the screen adaptation of To Kill a Mockingbird and the original screenplay Tender Mercies, as well as the recipient of an Academy Award nomination for the screenplay of The Trip to Bountiful and the William Inge Lifetime Achievement Award, Horton Foote is one of America's most respected writers for stage and screen. The deep compassion he shows for his characters, the moral vision that infuses his social commentary, and the kindness and humanity that Foote himself radiates have also made him one of our most revered artists—the father-figure who understands our longings for home, for human connectio...
This study is the first general critical introduction to the writing of Horton Foote, recipient of two Academy Awards and the Pulitzer Prize. These original essays survey Foote's career, his work for theater, television, and film, with analysis of Foote's major themes and characteristic style in all three media. The casebook concludes with a list of Foote's produced work, as well as a selective annotated bibliography of primary criticism on the playwright. This book demonstrates the influence of personal biography and Southern literature on Foote's career. The essayists also investigate the writer's contribution to American dramatic realism and independent filmmaking, emphasizing his experimentation with musical structure, dedramatization, and complex subtexts. Foote's disarmingly simple stories, with their radically understated language, are explained in many articles as the product of the subtle influence of the psychological and religious views of the author.
No playwright in the history of the American theater has captured the soul of the nation more incisively than Horton Foote. From his Pulitzer Prize-winning play, The Young Man From Atlanta, to his film adaptation of To Kill a Mockingbird, which received an Oscar, millions of people have been touched by Foote's work. He has long been regarded by other playwrights and screenwriters, actors, and cognoscenti of the theater and cinema as America's master storyteller; critics compared him to William Faulkner and Anton Chekhov. Yet Horton Foote's compelling character and rich life remain largely unknown to the general public. His is the story of an artist who refused to compromise his talents for t...
The Horton Foote Review is the scholarly journal of the Horton Foote Society, which is dedicated to the study of the life and work of the great American dramatist. Having received two Academy Awards, a Pulitzer Prize for Drama, and the National Medal of Arts, Horton Foote is one of the most important living figures in the American Theater today. The six scholarly essays in this first volume of the journal are by scholars from diverse fields of learning and explore the importance of Mr. Foote's work (both stage and film) to the American literary tradition, with an eye for the importance of American drama during the twentieth century. The journal will appeal to anyone who believes in the power of drama as a sustaining influence in society. Contributors include: Richard A. Lusky, Robert Donahoo, Laurin Porter, Elizabeth Fifer, Meredith Sutton, and Gerald C. Wood.
"The acclaimed playwright and screenwriter Horton Foote wrote The Trip to Bountiful for "Philco/Goodyear Television Playhouse" in 1953, during the golden age of live television drama. The teleplay was so successful that an expanded version opened on the Broadway stage eight months later starring the same leading lady, Lillian Gish." "Over thirty years later, Foote converted the play into a screenplay that became the vehicle for Geraldine Page's Oscar-winning performance as Carrie Watts, the aging widow who yearns to return to her home-place, to the vanished Texas town of Bountiful." "This volume is a comparative media study that collects the three scripts and examines the way Horton Foote's ...
The Pulitzer Prize and Oscar(-winning author recounts his arrival in 1930s New York as an aspiring young actor, and explores the roots of his beloved gift for storytelling.
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THE STORY: The play begins by introducing the next generation of Robedauxs in the person of Horace's son, Horace Jr., who comes home from school to find that his maternal grandfather, Henry Vaughn, has died suddenly of a heart attack. From this poi
THE STORY: As gentle and warm as the spring night in which it takes place, is a mosaic of conversations and encounters that occur during a party at the home of a well-to-do family in Harrison, Texas in 1914. The Vaughns are substantial, God-fearing