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Hreinn Fridfinnsson
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Hreinn Fridfinnsson
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Ars Fennica 2000
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Hreinn Friðfinnsson. Works 1964 - 2019
Hreinn Frid?nnsson?s work is celebrated for both its lyricism and its stark poetry, which transcends the often-commonplace subjects and materials he uses to create his pieces. He has sometimes been compared to artists working in Conceptual and Romantic Conceptual modes. Indeed, his practice shows a certain kinship with these movements; for example, it is grounded in the dematerialization of art and has strong links to landscape and natural phenomena.00Exhibition: Centre d?Art Contemporain Genève, Switzerland (24.05. - 25.08.2019) / KW Institute for Contemporary Art, Berlin, Germany (28.09.2019 - 05.01.2020).
A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975
A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture.
A Cultural History of the Avant-Garde in the Nordic Countries Since 1975
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 brings the series of cultural histories of the avant-garde in the Nordic countries up to the present. It discusses revisions and continuations of historical practices since 1975.
Hreinn Friðfinnsson
"Portseinn Surtr dreamed he was awake but everyone else was asleep; then he dreamed he fell asleep and everyone else woke up." An excerpt from the "Book of the Icelanders" (c. 1125), the above phrase is set near the center of this monograph on Hreinn Fridfinnsson, whose poetic, surrealistic work it surveys.
For Eyes That Listen
The publication accompanying the group exhibition For Eyes That Listen opens with an essay by Melih Fereli, Arter’s Founding Director and the curator of the exhibition, which takes its reference from John Cage’s experimental approach that combines the use of silence with aleatory music alongside indeterminacy in his art. The book also includes a text by composer Gordon Mumma, the recipient of the 2019 SEAMUS Award for his contributions to electro-acoustic music, along with an essay on the concept of “found sound” by Hasan Cem Çal and Furkan Keçeli, and a selection of short stories from John Cage’s books titled Silence (1961) and A Year From Monday (1963). Designed by Vahit Tuna, ...
Age of discrepancies
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among m...
For Pleasure
"For Pleasure argues that aesthetic pleasure and formal experimentalism hold the twinned capacity to maintain a global racial order and also to undo it"--
