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Futures & Ruins
In this timely and provocative study, Hubert Robert's paintings of urban ruins are interpreted as manifestations of a new consciousness of time, one shaped by the uncertainties of an economy characterized by the dread-inducing expansion of credit, frenzied speculation on the stock exchange, and bold ventures in real estate. As the favored artist of an enterprising Parisian elite, Robert is a prophetic case study of the intersections between aesthetics and modernity's dawning business culture. At the center of this lively narrative lie Robert's depictions of the ruins of Paris--macabre and spectacular paintings of fires and demolitions created on the eve of the French Revolution. Drawing on a vast range of materials, Futures & Ruins understands these artworks as harbingers of a modern appetite for destruction. The paintings are examined as expressions of the pleasures and perils of a risk economy. This captivating account--lavishly illustrated with rarely reproduced objects--recovers the critical significance of the eighteenth-century cult of ruins and of Robert's art for our times.
Hubert Robert
French painter Hubert Robert (1733-1808) truly merited the nickname given to him by friends and admirers: "Robert des Ruines". Already one of the most influential and venerated French artists of his time, the former member of the Académie Royale is today considered the most creative and imaginative painter of French Classicism. His enchanting visions of ancient ruins oscillate between fantasy and reality with exceptional accuracy and awe-inspiring landscapes show unique depictions of beauty in decay. Robert's art was of considerable influence to 19th-century French Romanticism and continues to mesmerise to this day
Hubert Robert
"Celebrated for the fundamental role he played in promoting the architectural capriccio, Hubert Robert (1733-1808) combined famous monuments of antiquity and modernity in unexpected ways to create strikingly new and imaginative city scenes and landscapes. Dubbed "Robert des ruines" by the great critic and encyclopedist Denis Diderot, Robert was regarded during his era as one of France's most prominent artists. His reputation has endured, but this monographic exhibition, coorganized by the National Gallery of Art and the Musaee du Louvre, is the first to encompass his entire career and to survey his achievements as both a painter and a draftsman. Presenting a discerning selection of his works, five scholarly essays, and a biographical chronology, this volume richly illuminates Robert's outstanding accomplishments as an artist and his lasting contributions to French visual culture"--
Hubert Robert
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Hubert Robert
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Hubert Robert
A study of the pre-Revolutionary French painter, Hubert Robert.
Hubert Robert Ink and Oil
Hubert Robert was born in Paris on May 22nd, 1733. Hubert Robert was taught design and perspective by sculptor Michel-Ange Slodtz, who also encouraged Hubert to turn to painting. In 1754 he went to Rome where he flourished as an artist. This book of ink and oil works by Hubert Robert is in a color paperback format, and perfect for coffee tables, students, and anyone who enjoys having art around them. Living in Rome for 11 years, he produced works for a variety of connoisseurs. During his time there, the director of the French Academy in Rome encouraged young artists to paint outdoors. In 1760 he visited Pompeii with Jean-Claude Richard de Saint-Non, to whom Hubert could sell his work. Hubert...
Hubert Robert
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Hubert Robert
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A Series of Four Paintings on Canvas Representing Romantic Italian Landscapes
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
