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A cultural history charting the rise and fall of Russian patriotism during the first few years of the Great War. Illustrated with period prints, posters and broadsides, the book traces the evolution of patriotic symbolism in popular entertainments and cultural production.
This interdisciplinary volume explores various identities and their expressions in Georgia from the early 19th century to the present. It focuses on memory culture, the politics of history, and the relations between imperial and national traditions. It also addresses political, social, cultural, personal, religious, and gender identities. Individual contributions address the imperial scenarios of Russia’s tsars visiting the Caucasus, Georgian political romanticism, specific aspects of the feminist movement and of pedagogical reform projects before 1917. Others discuss the personality cult of Stalin, the role of the museum built for the Soviet dictator in his hometown Gori, and Georgian nationalism in the uprising of 1956. Essays about the Abkhaz independence movement, the political role of national saints, post-Soviet identity crises, atheist sub-cultures, and current perceptions of citizenship take the volume into the contemporary period.
This collection of "Stitesiana" includes 29 essays on Russian culture, representing the bulk of 20 years of scholarship, in addition to well-known monographs and diverse pieces in popular magazines.
World War I had a profound influence on the aesthetics and politics of Russian culture, perhaps even more than the revolution. Looking at how the war changed Russian culture, especially visual art, Cohen shows how the wartime environment allowed iconoclastic modern art to flourish.
The study uses recently declassified Russian and Japanese documents to re-examine the military, diplomatic, social, political, economic, and cultural history of the Russo-Japanese War. This research provides fascinating new information about the decline of Imperial Russian and the rise of Imperial Japan in the early 20th century.
This book presents a side of Russian life that is largely unknown to the West - the world of popular culture. By surveying detective and science fiction, popular songs, jokes, box office movie hits, stage, radio and television, Professor Richard Stites introduces the people and cultural products that are household words to Russian people. Spanning the entire twentieth century, the author examines the subcultures that draw upon and enrich Russian popular culture. He explores the relationship between popular culture and the national and social values of the masses, including their heroes and myths, and assesses the phenomenon of the celebrity from the silent screen star to the latest rock music idol. Richard Stites pays particular attention to the dramatic battle between elite and popular culture and to the intervention of revolutions, wars, and the state in the production and control of this culture.
Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
In Children of Rus', Faith Hillis recovers an all but forgotten chapter in the history of the tsarist empire and its southwestern borderlands. The right bank, or west side, of the Dnieper River—which today is located at the heart of the independent state of Ukraine—was one of the Russian empire’s last territorial acquisitions, annexed only in the late eighteenth century. Yet over the course of the long nineteenth century, this newly acquired region nearly a thousand miles from Moscow and St. Petersburg generated a powerful Russian nationalist movement. Claiming to restore the ancient customs of the East Slavs, the southwest’s Russian nationalists sought to empower the ordinary Orthod...
In December 1917, nine months after the disintegration of the Russian monarchy, the army officer corps, one of the dynasty’s prime pillars, finally fell—a collapse that, in light of World War I and the Bolshevik Revolution, historians often treat as inevitable. The Imperial Russian Army in Peace, War, and Revolution, 1856–1917 contests this assumption. By expanding our view of the Imperial Russian Army to include the experience of the enlisted ranks, Roger R. Reese reveals that the soldier’s revolt in 1917 was more social revolution than anti-war movement—and a revolution based on social distinctions within the officer corps as well as between the ranks. Reese’s account begins in...