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The Weight Training Diary
The complete weightlifting workout diary-from bestselling author, body sculpting expert, and champion bodybuilder Hugo Rivera Hugo Rivera gives you the tools you need to keep your training workout on track with this sturdy, take-along diary that will help you plan your regimen and measure your progress effectively. You'll find lots of space to log all of the key elements of your training and make the most of every workout, plus Rivera's expert weight-training guidance and tips that will keep you focused and inspired. Includes Hugo's Five Directives for good training and four 12-week weightlifting plans that have everything spelled out for you with no guesswork Provides plans for weight-train...
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The Coca Boom and Rural Social Change in Bolivia
Examines the socioeconomic ramifications of a Bolivian peasant community's progressive incorporation into the international cocaine market
2014
On the thirteenth anniversary of the 9/11 terror attack on the World Trade Center and Pentagon, America is violently assaulted again. Muslim terrorists appear responsible for a deadly blast in San Francisco. After state police uncover weapons and explosives stored in mosques they gather up Muslims throughout California, Arizona, New Mexico, and Texas. Those detainees are eventually expelled into other states and mosques left behind are burned and demolished. Muslims riot and attack police and civilians in Newark, Detroit, Toledo, New York City, and Washington DC. Faced with the realization that Muslim facilities nationwide are being used as the focus points of terrorism, the President of the...
Dematerialization
Dematerialization examines the intertwined experimental practices and critical discourses of art and industrial design in Argentina, Mexico, and Chile in the 1960s and 1970s. Provocative in nature, this book investigates the way that artists, critics, and designers considered the relationship between the crisis of the modernist concept of artistic medium and the radical social transformation brought about by the accelerated capitalist development of the preceding decades. Beginning with Oscar Masotta’s sui generis definition of the term, Karen Benezra proposes dematerialization as a concept that allows us to see how disputes over the materiality of the art and design object functioned in order to address questions concerning the role of appearance, myth, and ideology in the dynamic logic structuring social relations in contemporary discussions of aesthetics, artistic collectivism, and industrial design. Dematerialization brings new insights to the fields of contemporary art history, critical theory, and Latin American cultural studies.
