You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
None
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Comprehensive discourse on origin, powers of amulets in many ancient cultures. Covers cross, swastika, crucifix, seals, rings, stones, etc.
"What a pleasure it is to read a book by a gifted writer whose exhaustive research results in such thought-provoking insights."--Deirdre Bair, author of Simone de Beauvoir: A Biography
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
The late nineteenth century was a golden age for European travel in the United States. For prosperous Europeans, a journey to America was a fresh alternative to the more familiar ‘Grand Tour’ of their own continent, promising encounters with a vast, wild landscape, and with people whose culture was similar enough to their own to be intelligible, yet different enough to be interesting. Their observations of America and its inhabitants provide a striking lens on this era of American history, and a fascinating glimpse into how the people of the past perceived one another. In Unspeakable Awfulness, Kenneth D. Rose gathers together a broad selection of the observations made by European travel...
This is a complete English translation of the famous Ethiopian work The Kebra Nagast - The Glory of the Kings of Ethiopia. Complied by a Coptic priest in the 6th century AD from much older material, The Kebra Nagast is a remarkable mixture of legends and traditions, some historical and some of a mythic quality, derived from the Old Testament and the later Rabbinic writings and from Egyptian (both pagan and Christian), Arabian and Ethiopian sources. The principle theme is the descent of the Kings of Ethiopia from the union of Solomon, King of Israel, and the Queen of Sheba. Woven through the story are many important narratives, including prophecies in the Old Testament that concern the Messiah as applied to Jesus Christ, the history of the rebel angels, and legends of Solomon and the Queen of Sheba in the Koran.