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The Other Body
Huma Ibrahim covers multiple 'women's stories' in African, South Asian and African American Literature through her postcolonial, feminist and global lens. This book is an eye-opener for examining other women's bodies and desires. She presents the first academic analysis on Sarah Bratman's body politics. This treatise is an original and unique perspective into the other women's body. She both challenges and verifies the hypothesis of Homi Bhabha, Edward Said, Gayatri C. Spivak and others. In this book she has developed her own concepts about and beyond hybridity. It is a must-read for anyone in a critical global society. The detailed analysis leads to the culmination of universal conclusions as well as opening up new horizons for discussion on the other body.
Bessie Head
One of the foremost African writers of our time, who dispelled the silence between colonial and feminist discourses by "talking back", Bessie Head at last gets her due in this first book-length, comprehensive study of her work. This book locates Head's unquestionable importance in the canon of African literature. Author Huma Ibrahim argues that unless we are able to look at the merging of women's sexual and linguistic identity with their political and gendered identity, the careful configurations created in Head's work will elude us. Ibrahim offers a series of thoughtful readings informed by feminist, diasporan, postcolonial, and poststructuralist insights and concerns. She identifies a them...
The Politics of (M)Othering
This collection is a study of African literature framed by the central, and multi-faceted, idea of 'mother' - motherland, mothertongue, motherwit, motherhood, mothering - looking at the paradoxical location of (m)other as both central and marginal. Whilst the volume stands as a sustained feminist analysis, it engages feminist theory itself by showing how issues in feminism are, in African literature, recast in different and complex ways.
Politics of Mothering
This collection is a study of African literature framed by the central, and multi-faceted, idea of 'mother' - motherland, mothertongue, motherwit, motherhood, mothering - looking at the paradoxical location of (m)other as both central and marginal. Whilst the volume stands as a sustained feminist analysis, it engages feminist theory itself by showing how issues in feminism are, in African literature, recast in different and complex ways.
"Toubab La!" Literary Representations of Mixed-Race Characters in the African Diaspora
The book is an examination of mixed-race characters from writers in the United States, The French and British Caribbean islands (Martinique, Guadeloupe, St. Lucia and Jamaica), Europe (France and England) and Africa (Burkina Faso, South Africa, Botswana and Senegal). The objective of this study is to capture a realistic view of the literature of the African diaspora as it pertains to biracial and multiracial people. For example, the expression “Toubab La!” as used in the title, is from the Wolof ethnic group in Senegal, West Africa. It means “This is a white person” or “This is a black person who looks or acts white.” It is used as a metaphor to illustrate multiethnic people’s ...
Encyclopedia of African Literature
The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers the literature back to the earliest eras of story-telling and oral transmission, making this a unique and valuable resource for those studying social sciences as well as humanities. This work includes cross-references, suggestions for further reading, and a comprehensive index.
Prospects and Impediments of Feminist Monolithism
This book reads mid-twentieth century poetry by British, American and Sub-Saharan women to postulate the desirability and possibility of feminist monolithism. It shows that there is a remarkable consistency in the themes and aesthetic preoccupations of poets widely separated from each other by both geographical space and historical epochs, which highlights that there are pertinent cross-cutting trends in women’s poetry which could be exploited as a basis for monolithism. The text identifies the main tenets of feminism as recognition of women’s oppression and a determined effort through concerted strategies to resist and thwart this oppression and to navigate women out of peripheral positions into positions of power. By showing that these tenets are uniformly present in the poetry of very different women, it posits this uniformity as a stable ground on which feminist monolithism could be constructed, without glossing over existent differences between and among women.
African Freedom
A comprehensive synthesis of the ideal of freedom in African culture from a pan-African perspective after independence.
Encyclopedia of Post-Colonial Literatures in English
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
Orhan Pamuk and the Good of World Literature
When Orhan Pamuk won the Nobel Prize for Literature in 2006, he was honored as a builder of bridges across a dangerous chasm. By rendering his Turkish characters and settings familiar where they would otherwise seem troublingly foreign, and by speaking freely against his authoritarian state, he demonstrated a variety of literary greatness that testified also to the good literature can do in the world. Gloria Fisk challenges this standard for canonization as “world literature” by showing how poorly it applies to Pamuk. Reading the Turkish novelist as a case study in the ways Western readers expand their reach, Fisk traces the terms of his engagement with a literary market dominated by the...
