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Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type -- known as "Andean conjuntos" or "pan-Andean bands" -- have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colomb...
This book is an abridgement and translation of Guillermo Lora's five-volume history. It deals with the strengthening and radicalisation of Bolivia's organised labour movement, which culminated in the drastic revolutionary changes of the 1950s. The first half offers a reinterpretation of Bolivian history in the century preceding the revolution, viewed from the perspective of the working class. The second half discusses in more detail the major political events and doctrinal issues of a period in which the author, as secretary of the Trotskyist Partido Obrero Revolucionario, himself frequently played an active part. Despite the radical upheaval that occurred in the fifties and the mobilisation of broad sectors of the population around such radical objectives as direct property seizures, union-nominated ministers and union, military and worker control, the labour movement was unable to maintain its conquests in the 1960s. The concluding chapters describe the period of renewed military repression and the continuing efforts of the labour movement to resist.
This book contains short biographies of notable Bolivians, including politicians, authors, artists, and journalists.
Includes deans and selected faculty at professor level by department or discipline.
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Includes entries for maps and atlases.