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The Eighteenth Century French Paintings
The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms. Published by National Gallery Company/Distributed by Yale University Press
Humphrey Newton (1466-1536)
The public and political lives of the fifteenth- and early sixteenth-century gentry have been extensively studied, but comparatively little is known of their private lives and beliefs. Humphrey Newton of Pownall, Cheshire, offers a rare and fascinating opportunity to redress the balance, thanks to the fortunate survival of a commonplace book he compiled c.1498-1524. Drawing upon this unique manuscript, this interdisciplinary and multi-dimensional study of Newton explores his family life, landed estate, legal work, piety, and his literary skills [he composed nearly twenty courtly love lyrics]. It charts his social advancement and the self-fashioning of his gentle image, while placing him in the context of current discussions of gentry culture. What makes Newton even more noteworthy is that he was among the unsung and little known stratum of English society historians have labelled the 'lesser' gentry. As such, this book provides the first comprehensive biography of an early Tudor gentleman. Dr DEBORAH YOUNGS is lecturer in medieval history at Swansea University.
Putney Ferret
In the gentrified London neighbourhood of Putney Ferret (pronounced feray), life for housemates Geoff, Humphrey and Kish is just how they like it- lazy, fickle, self-indulgent... and with as little responsibility as possible. But when the cracks become too hard to ignore, do any of them have the courage to become more than just another ferret?
The Seventeenth Century French Paintings
"Since 1957, when Martin Davies published The French School, an unprecedented amount of research has been undertaken on French seventeenth-century artists. Taking account of this, Humphrey Wine has written afresh on the seventeenth-century paintings in Davies's catalogue; he has also written detailed entries on all subsequent acquisitions in this field. These include, as well as paintings by Claude and Poussin, major pictures such as La Hyre's Allegory of Grammar, the Le Nain brothers' Adoration of the Shepherds and Le Sueur's Alexander and his Doctor.".
Poussin and Nature
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.
