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Nothing cuts into us like the family knife. The Webster House. 1965. 1979. 1985. 1990. 2016. Death silences no one, least of all the dead. Set against the ever-changing industrial landscape of working-class Britain, Beth Steel's revelatory new play spans five decades in the lives, and deaths, of the Webster family. The House of Spades premieres at the Almeida in May 2020. Beth Steel won Most Promising Playwright at the Evening Standard Theatre Awards.
a motor-mouthed collage of spoken word and storytelling. tales of paranoia, young love and ultra-violence... from the desk of christopher brett bailey comes a spiralling odyssey of pitch-black humour and nightmarish prose. THIS IS HOW WE DIE is a prime slice of surrealist trash, an Americana death trip and a dizzying exorcism for a world convinced it is dying... ‘Is this actually how we die? Driven at disorientingly high speed through the blazing landscape of our own riot-torn hearts, while the radio blares adverts for impossible products conceived in the agonizing heat of capitalism’s terminal inferno? Christopher Brett Bailey auctions off everything we have and everything we think we know to the lowest bidder, leaving us stripped and spent and blissed out and beaten by language, that treacherous stuff we had thought was our friend. No, there ain’t no sanity clause: but I’d trust Bailey with my life, and if this is how we die, you know, it’s really not such a bad way to go.’ Chris Goode
In many past and recent earthquakes it has been shown that the local conditions and, in particular, the local geology have a great influence on the observed seismic ground motion and, consequently, on the damage distribution in housing, industrial stock, and life-lines. Seismic microzoning is the usual procedure to have these local effects taken into account for engineering design and land-use planning, being a useful tool for earthquake risk mitigation. This volume presents a collection of papers mainly originated from a workshop on Seismic Microzoning, organized during the 23rd General Assembly of the European Geophysical Society (EGS) in Nice, France in April 1998. The workshop dealt with various geophysical tools for analysing the effects of the local soils of subsurface geology on seismic ground motion, namely the methods using experimental data such as microtremors, and the theoretical/numerical 1-D and 2-D modelling methods. Additional contributions discussing techniques for characterising soil properties, microzoning applications to several urban areas, and others were added to the volume to broaden this important topic.
There is talk of an upcoming antibiotic armageddon, with untreatable post-operative infections, and similarly untreatable complications after chemotherapy. Indeed, the now famous “O’Neill Report” (https://amr-review.org/) suggests that, by 2050, more people might die from antibiotic-resistant bacterial infections than from cancer. While we are still learning all the subtle drivers of antibiotic resistance, it seems increasingly clear that we need to take a “one health” approach, curtailing the use of antibiotics in both human and veterinary medicine. However, there are no new classes of antibiotics on our horizon. Maybe something that has been around “forever” can come to our r...
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An illustrated study that casts a new light on Oiticica's most important work of “quasi-cinema” on its fortieth anniversary. Hélio Oiticica (1937–1980) occupies a central position in the Latin American avant-garde of the postwar era. Associated with the Rio de Janeiro-based neo-concretist movement at the beginning of his career, Oiticica moved from object production to the creation of chromatically opulent and sensually engulfing large-scale installations or wearable garments. Building on the idea for a film by Brazilian underground filmmaker Neville D'Almeida, Oiticica developed the concept for Block-Experiments in Cosmococa—Program in Progress (1973–1974) as an “open program...
Historical fiction on South Africa.
Although the post-colonial situation has attracted considerable interest over recent years, one important colonial power - Portugal - has not been given any attention. This book is the first to explore notions of ethnicity, "race", culture, and nation in the context of the debate on colonialism and postcolonialism. The structure of the book reflects a trajectory of research, starting with a case study in Trinidad, followed by another one in Brazil, and ending with yet another one in Portugal. The three case studies, written in the ethnographic genre, are intertwined with essays of a more theoretical nature. The non-monographic, composite - or hybrid - nature of this work may be in itself an indication of the need for transnational and historically grounded research when dealing with issues of representations of identity that were constructed during colonial times and that are today reconfigured in the ideological struggles over cultural meanings.
Michael J. Almeida presents a bold new defence of the existence of God. He argues that entrenched principles in philosophical theology which have served as basic assumptions in apriori, atheological arguments are in fact philosophical dogmas. Almeida argues that not only are such principles false: they are necessarily false.