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The New Vienna School of Art History
An account of the theory and practice of practitioners of the so-called "second" or "younger" Viennese school, associated with Hans Sedlmayr and Otto Pächt, demonstrating the strong dependence of these writers on the work of Gestalt psychology.
Patronage and Dynasty
This collection of essays offers a thorough study of the patron-artist relationship through the lens of one of early modern Italy’s most powerful and influential historical families. Contributors present a longitudinal study of the della Rovere family’s ascent into Italian nobility. The della Rovere was a family of popes, cardinals, and powerful dukes who financed some of the world’s best-known and greatest artwork. The essays explore the issue of identity and its maintenance, of carving a permanent spot for a family name in a rapidly changing atmosphere. Although these studies depart from art patronage, they uncover how the popes, cardinals, dukes, and signore of the della Rovere family constituted their identity. Originally a nouveau-riche creation of papal nepotism, the della Rovere first populated the ranks of cardinals under the powerful popes Sixtus IV and Julius II. Within the framework of later papal relations, the family negotiated its position within the economy of Italian nobles.
Beauty, Devotion and Spirituality
There is scant research on the art produced under the Congregation of the Oratory of Saint Philip Neri, with the exception of a couple of general books focused primarily on major Oratorian art pieces. Therefore, this book of essays aims to discuss the art and culture produced by or associated with the Oratorians by providing a broad overview focused especially on rarely investigated issues. The authors focus on this very important artistic production, commonly forgotten when compared with other religious productions of art, by covering geographical areas spanning from Sri Lanka to Mexico, including Italy, Spain, the United Kingdom, India and Brazil.
Singing of Arms and Men
Equestrian ballets (balletti a cavallo), although little known today, emerged as valued dramatic entertainments in early modern Europe, capable of demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Although the horse ballet did not originate in Florence, that city--and its ruling grand dukes, the Medici--acquired a reputation for excellence in the genre. Between 1608 and 1686, the court commissioned horse ballets to commemorate important state events such as Medici weddings or visits by foreign visitors. In Singing of Arms and Men, author Kelley Harness undertakes the first comprehen...
Cognition And The Book
The printed book caused an explosion of knowledge and major changes in the perception of texts. In investigating how knowledge was presented to the early modern reader, this volume treats both book-historical issues and the intersections of layout with issues of genre, content and function.
Humanities
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A Hospice in Change
A Hospice in Change: Applied Social Realist Theory reports upon a study into aspects of the ways in which structural and organisational developments, professional cultures and ‘bedside’ or patient focused clinical practice interact within a single UK institution. While the findings of this study are time and context specific, the events and social processes being described may nonetheless resonate closely with the experience of healthcare practitioners at other hospices both within and without the UK. The work examines themes and ideas that hospice and palliative care practitioners, as well as those involved or interested more broadly in ‘end of life issues’, may find relevant. It is argued that differential morphogenesis can be identified between structures (social and cultural) and agents (individual and group) at an independent healthcare charity in southern England. A Hospice in Change connects theory and philosophy with concrete research practice to provide a worked example of Margaret Archer’s realist social theory.
St. Catherine of Alexandria in Renaissance Roman Art
How and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, exploring in particular how a saint's cult could be variously imaged and 'reinvented' to suit different eras and patronal interests. Cynthia Stollhans traces the evolution of the saint's imagery through the lens of patrons and their interests-with special focus on the importance of Catherine's image in the fashioning of her Roman identity-to show how her imagery served the religious, political, and/or social agendas of individual patrons and religious orders.
A Companion to Colette of Corbie
A Companion to Colette of Corbie presents a collection of essays offering new historical and religious perspectives on the life, career, and influences of this little-studied fifteenth-century saint. Colette of Corbie, a contemporary of Joan of Arc, established an important reform movement in the Franciscan order; founded numerous monasteries for women in Burgundy, France, and the Low Countries; and had connections with high ranking Burgundian and French noble families. Essays in this volume draw upon many relatively unknown primary sources and add significantly to the scholarship on this important religious figure. Contributors are: Anna Campbell, Joan Mueller, Andrea Pearson, Jane Marie Pinzino, Monique Somme, Ludovic Viallet, and Nancy Bradley Warren
Historicism
A history of the semantic mobility of historicism in the twentieth century across regions, languages and disciplines within the humanities and social sciences.
