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Heartbreak and Magic
This book collects eight stories of fantasy, horror, and science fiction from the imagination of award-winning writer Ian Rosales Casocot: A young man discovers the malevolence of first love. A boy travels back in time in search of history and his name. A neighborhood is besieged by a resurrected evil in their midst. A clone of Jose Rizal uncovers surprising secrets. A heartbroken girl harnesses magic to win a boy's love, and almost destroys the world.
Don't Tell Anyone
None
Bamboo Girls
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Best of Philippine Speculative Fiction 2005-2010
The Horsemen of the Apocalypse are all born to a Filipino family; an monstrous nanny passes on her powers to her young gay ward; a family's freezer gets a surprise visitor; a young boy discovers how his brother turns into a superhero locked in an eternal struggle with the Forces of Chaos; a company makes a fortune selling diseases. The Best of Philippine Speculative Fiction 2005-2010 features thirty of the best fantasy, science fiction, and horror stories from the first five volumes of Philippine Speculative Fiction, published from 2005 to 2010.
First Sight of Snow and Other Stories
The stories illustrate a family with a father missing in action, a young girl's quest to prove her love, a wife's struggle with keeping a home and a family, and a man finding connections in a foreign land. The result is a map of Casocot's writing success, guided by his masterful style.
Beautiful Accidents
Bundel met twaalf korte verhalen van de Filipijnse auteur (1975) over o.a. ouder-kindrelatie, erotiek en prostitutie, maar vooral over homoseksualiteit.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Sanctuary
An anthology of LGBTQ-themed short fiction from around East Asia and the diaspora.
