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This is the definitive account of the Royal Bank of Scotland scandal. For a few brief months in 2007 and 2009, the Royal Bank of Scotland was the largest bank in the world. Then the Edinburgh-based giant - having rapidly grown its footprint to 55 countries and stretched its assets to £2.4 trillion under its hubristic and delinquent former boss Fred Goodwin - crashed to earth. In Shredded, Ian Fraser explores the series of cataclysmic misjudgments, the toxic internal culture and the 'light touch' regulatory regime that gave rise to RBS/NatWest's near-collapse. He also considers why it became the most expensive bank in the world to bail out and why a culture of impunity was allowed to develop...
Identity, Politics and the Novel is a diverse and wide-ranging book that offers an innovative and unique approach to several works by four critically acclaimed novelists: Milan Kundera, Ian McEwan, Michel Houellebecq, and J. M. Coetzee. Drawing from classical and contemporary political, philosophical, and social theory--including foundational texts by Adorno, Aquinas, Camus, Hegel, and Nietzsche--Ian Fraser tracks these novelists' use of the aesthetic self and, in turn, develops the notion of a Marxist aesthetic identity through the medium of contemporary fiction.
Ian Fraser entered industry in 1942 as the first of what became a worker-priest/pastor movement. This book's underlying conviction is that just as ministry belongs to more than just the clergy, so does the task of theologising belong to all and not just t
Is it possible to be repetitive and flexible at the same time? Using proven examples and quantifiable evidence, Lean RFS (Repetitive Flexible Supply): Putting the Pieces Together demonstrates that repetitive flexible supply (RfS) is not only possible, but that its implementation can help you reach a new level of improved performance in manufacturin
"Ian Fraser's life is an extraordinary one by anystandard. Here is a man who sprang into the world in West Africa and landed in Indianapolis by way of Jamaica, Scotland and England. At every stage of his long and well-lived life, hehas met with colorful events, cultivated relationships with fascinating people and made generous contributions to hiscommunity and world." --from the Preface by Ryan MesserFor the thousands who have heard Ian Fraser speak on art and listened to the amusing anecdotes of his life, this memoir will be a genuine treat. Reflecting that which is the stuff of legend in its author, the book fairly pulses with energy. Ian Fraser's stories of his eight decades of life in the world of art, travel, love and friendship make edifying and fascinating reading.
This second edition of Ian Gordon's A Preface to Pope places the poet within the social, cultural and intellectual context of his time. It throws new light on the theoretical and imaginative structures of Pope's poetry focusing on the linguistic complexity at its centre. It offers a critical survey of his work and also contains introductory essays. The book concludes with a reference section which includes indispensible information on places and people in Pope's poetry, together with a glossary of technical terms and a guide to further reading.
The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films? This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.
MENSTRUATION ISN'T JUST ABOUT HAVING BABIES Your menstrual cycle is a vital sign, just like your pulse, temperature, respiration rate, and blood pressure. And it provides you with essential information about your health.The Fifth Vital Sign: Master Your Cycles and Optimize Your Fertility brings together over 1,000 meticulously researched scientific references in a textbook-quality guide to understanding your menstrual cycle. In this book you’ll learn: –What a normal cycle looks like; –The best way to chart your cycle and increase your fertility awareness; –How best to manage critical aspects of your health, including better sleep, exercise and a healthier diet; –Natural methods for...
IDW brings you this lavishly illustrated adaptation of Richard Matheson's tale of newspaper publisher Rudolph Deutsch facing his impending demise. To help Deutsch forestall his death and to learn the secrets of life after death, a team of experts must survive a night in Belasco House, a place known amongst the local townsfolk as "Hell House." The notorious Belasco House starts to exert its dark influence on the group of scientists and spiritualists as they unearth the perverse and wretched secrets from within its walls. Hell House has let them in... but will it ever let them leave?
Beyond Cutting: A Viv Fraser Mystery If you ever thought the life of a hairdresser was tranquil, then think again. This is no ordinary hairdresser. Viv Fraser Ph.D and stylist to the Edinburgh establishment, has a double life as an investigative journalist and finds herself involved in some hair-raising, not to mention explosive scenes, as she trawls the seamier side of her city. In this fast-paced mystery Viv investigates the case of a missing teenage boy, but her efforts are hampered by people trying to save their own skin. Always top of his class, Andrew's school blazer turns up on a river path without him. As she picks at the veneer of the Capital's gay scene Viv discovers an unsavoury mix of lies, jealousy and sexual deceit. Determined to find Andrew, she ignores threats on her life and continues to dig in places that even Detective Marconi has yet to explore.