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This book focuses on seven entries in Carl R. Burgchardt’s Readings in Rhetorical Criticism, to which it adds a complementary effort. While maintaining a strategy of ongoing dialogue with both the prospective reader and the texts under scrutiny, the book acknowledges the author’s privileged moment of essential identification and represents a step out of the limiting frame of the inherently political character of inquiry. This allows the book to present personal narrative about guidance by specific critics such as Edwin Black, Forbes Hill, Karlyn Khors Campbell, Kenneth Burke, William Lewis, and Raymie McKerrow through the labyrinth of “that Leviathan, the public mind” (H. Wichelns). The volume mediates a cross-cultural re-conceptualization of academic writing, more adequately inscribed within the symbolic border between the consolidated American and other fragile profiles of the discipline of Communication Studies.
“Egalitarian Envy is a brave and brilliant contribution to contemporary political theory by one of the seminal thinkers of our era, a work that confronts the most serious problems of modern political theory and challenges assumptions that are rarely examined by leaders in the free world.” —M.E. Bradford, From the Forward “Egalitarian Envy is an intelligent and imaginative book that freshly reconceives some familiar problems.” —Joseph Sobran National Review
This volume examines a range of novels and novellas published over the course of nearly forty years, from 1968 to 2014, including E.L. Doctorow’s Andrew’s Brain, John Gardner’s “The King’s Indian,” Paul Auster’s Travels in the Scriptorium, Peter Straub’s Mr. X, and Joyce Carol Oates’ Expensive People. These texts display one crucial unifying thread: they are doubly-mediated fictions, fictions in parentheses, so to speak. The application of narrative framing and embedding has been commonly acknowledged and abundantly researched in various works belonging to the Western literary heritage. However, its use in the twentieth and twenty-first century fiction has not been adequately explored, perhaps with the exception of the literary creations of such giants as Vladimir Nabokov and John Barth. Despite this critical oversight, narrative frames prove to be a major resource for modern-day novelists, who adapt this literary device and very effectively put it to their own uses. The essays collected in this volume will serve to spark the revival of interest in this time-honored narrative tool, demonstrating its validity for research into more recently created novels.
The book purports to mediate between various culturally determined profiles of the discipline of Communication Studies. While it directs the reader’s attention to landmark American texts in intercultural communication, it also signals the potential to make reading a relational praxis, thus writing a way out of the disciplinary meta-narratives of identification. Through its focus on studies which employ critical or (auto)ethnographic methods, the book represents a mediator of cultural meanings. Its unique approach resides in the offering of a personal incursion through the texts under scrutiny, which allows the reader a pathway, a practical orientation towards criticism in general, and the appropriate means to perform it.
The first volume of the new Pericope series, Delimitation Criticism contains the papers read at a workshop of the Pericope Group during the First Meeting of the European Association for Biblical Studies, held at Utrecht, The Netherlands, 6-9 August 2000. The volume highlights the importance of the long-ignored unit delimitation markers in ancient manuscripts for the interpretation of Scripture. Much of the data presented here has never been published before and opens up fresh vistas for biblical scholarship. The new series Pericope aims at providing Bible translators and exegetes with the raw data concerning unit delimitation in the ancient manuscripts of the Hebrew Bible, the Septuagint, th...