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As societies transition to evidence-based adaptation and management there is increasing recognition of the need for understanding climate change and variability dynamics and impacts at regional levels and for various activities. This book is a contribution toward that goal. Readers interested in climate change management will find detailed discussions of climatic variability dynamics in selected regions as well as new innovative ways of monitoring climate change, assessing climate risks, and predicting impacts. Those interested in refreshing the fundamentals of climate change and climate variability will find a very accessible review of the status of knowledge on the subject, including a balanced interrogation of available evidence. In an attempt to keep the book accessible, every effort was made to minimize technical jargon without compromising scientific accuracy. The result should be useful to researchers, practitioners, and policy makers.
"Like many other South American Indian communities, the Suya Indians of Mato Grosso, Brazil, devote a great deal of time and energy to making music, especially singing. In paperback for the first time, Anthony Seeger's Why Suya Sing considers the reasons for the importance of music for the Suya - and by extension for other groups - through an examination of myth telling, speech making, and singing in an initiation ceremony." "This new paperback edition features a CD offering examples of the myth telling, speeches, and singing discussed, as well as a new afterword that describes the continuing use of music by the Suya in their recent conflicts with cattle ranchers and soybean farmers." -- Prové de l'editor.
Examines through the use of Murid oral and written sources the creation of an "alternative modernity" as an understanding of historical change by Sufi notables and disciples. The Murid order, founded in Senegal in the latter decades of the nineteenth century, grew into a major Sufi order during the colonial period and is now among the most recognizable of the Sufi orders in Africa. Murids have spread the voice of Islam and Africa in concert halls and on the airwaves through pop singers -- especially Youssou N'Dour -- and the image of Shaykh Amadu Bamba M'Backé, the founding saint of the order, often used to grace the covers ofworks concerning Islam, African culture, abolition, and European ...
“With Audiotopia, Kun emerges as a pre-eminent analyst, interpreter, and theorist of inter-ethnic dialogue in US music, literature, and visual art. This book is a guide to how scholarship will look in the future—the first fully realized product of a new generation of scholars thrown forth by tumultuous social ferment and eager to talk about the world that they see emerging around them.”—George Lipsitz, author of Time Passages: Collective Memory and American Popular Culture "The range and depth of Audiotopia is thrilling. It's not only that Josh Kun knows so much-it's that he knows what to make of what he knows."—Greil Marcus, author of Lipstick Traces: A Secret History of the 20th Century "The way Josh Kun writes about what he hears, the way he unravels word, sound, and power is breathtaking, provocative, and original. A bold, expansive, and lyrical book, Audiotopia is a record of crossings, textures, tangents, and ideas you will want to play again and again."—Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Generation
Au sommaire de ce numéro : L'identité et l'altérité à travers Agadir de Mohammed Khaïr-Eddine ; L'enseignement de la littérature amazighe : un parcours hybride oscillant entre les ambitions généreuses de la recherche et les à-peu-près forcés de la pratique ; Le glossaire sémiotique : Vers un métalangage amazigh ; La pertinence des anthroponymes amazighes dans l'oeuvre de Driss Chraïbi et de Rita EL KHAYAT; La poétique de l'espace dans le roman Faffa de Rachid ALLICHE » ; Quelques notes sur la proposition relative dans les variétés amazighes du Rif ; Le morphème « t...(t) » en amazigh : quelle valeur et quel emploi ? ; La « tradition » dans le champ poétique amazigh (Le cas du Kabyle et du Rifain).
Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property. Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether p...
In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one’s birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one’s birth; one wrestles with one’s American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one’s birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. —Shane McCrae