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Celebrating the freedom of painting, this book collects Tursic & Mille's recent forays into both abstract and figurative subjects In this survey of work since 2012, France-based artist duo Ida Tursic & Wilfried Mille (both born 1974) presents painting as a medium of freedom--figurative subjects such as portraits, landscapes, vintage porno and pets are balanced against or covered with colorful abstractions to rival the image overload of digital media.
This is the first publication focusing on the drawings of British artist Glenn Brown (born 1966). Far from mere studies or sketches, Brown's drawings are artworks in their own right. The artist quotes and then disassembles drawings of the Old Masters, picking up the pieces and transmuting them.
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White Cube Bermondsey is pleased to present 'To Leave a Light Impression', an exhibition of new work by Darren Almond. This exhibition will include photographs from the 'Fullmoon' and 'Present Form' series as well as a group of small-scale bronze sculptures.
"Écrire un proème pour des contes, des poèmes pour un contre tous, décrire les aventures périlleuses d’un auteur autoproclamé du pays de la folie passagère, de la mégalomanie aveugle et de la sourde réalité, à la limite extrême de la littérature distinguée, de celle qui commence toujours par un préfixe, une préface, une prédilection, une furieuse envie de détruire, de désinitier, s’encombrant le plus légèrement possible de préliminaires, de préparations, de prés dans le bonheur, de prés bleus, de prés verts, de prés comme de loin, de prémices, de prétextes, de précautions et de délicieuses frémissures enfin, parfois superflues, souvent honteuses, toujours ...
This book presents a show of interrelated paintings and sculptures by French artist Jérémy Demester (born 1988). An essay by psychoanalyst Annabelle Gugnon, exploring the mythical themes of his work, accompanies images of "undead still lifes," sky paintings and totemlike sculptures.
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What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms? Bioart invites us to explore artistic practices at the intersection of art, science and society. This rapidly evolving field utilises the tools of life sciences to examine the materiality of life; the collision of human and nonhuman. Microbiology, virtual reality and robotics cross disciplinary boundaries to engage with arts as artists and scientists work together to challenge the ways in which we understand and observe the world. This book offers a stimulating and provocative exploration into worlds emerging, seen through art as we don?t know it ? yet.0...