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The essays in The Flesh Made Text Made Flesh explore the complexities of modern and postmodern embodiment by drawing attention to a marked tendency in contemporary theory and cultural practice to «return» to flesh and redefine its limits, meanings, and potentialities. Engaging with issues as diverse as technologized performance, cosmetic surgery, and lifestyle TV, the essays in this collection raise crucial questions and open up new horizons for further research in current debates surrounding enfleshment. The cross-disciplinarity of this book, which can be used in undergraduate and postgraduate teaching, will attract the attention of scholars from a diversity of fields, such as literature, sociology, popular culture, art, theater, and film.
The Color of Desire tells the story of how, in the aftermath of gay liberation, race played a crucial role in shaping the trajectory of queer, German politics. Focusing on the Federal Republic of Germany, Christopher Ewing charts both the entrenchment of racisms within white, queer scenes and the formation of new, antiracist movements that contested overlapping marginalizations. Far from being discrete political trajectories, racist and antiracist politics were closely connected, as activists worked across groups to develop their visions for queer politics. Ewing describes not only how AIDS workers, gay tourists, white lesbians, queer immigrants, and Black feminists were connected in unexpec...
Contains reflections on body, sexuality, and gender in African literary texts. While the sections 'Gifted Bodies' and 'Queered Bodies' show new developments in viewing body and sexuality as creative powers, the sections 'Tainted Bodies' and 'Violated Bodies' comprise essays that investigate the exposure of the body to physical aggression and other traumatic experiences.
Race in the Shadow of Law offers a critical legal analysis of European responses to institutional racism. It draws connections between contemporary legal knowledge practices and colonial systems of thought, arguing that many people of colour experience the law as a part of a racial problem, rather than a solution, to racial injustice. Based on a critical legal ethnography of anti-racism work in Europe, and with an emphasis on the German context, the book positions Black and anti-racist perspectives at the centre, rather than the margins, of critically thinking through the intersection of race and law. Combining this ethnography with comparative legal analysis, discourse analysis and critical race theory, the book develops a critical discussion of the European legal frameworks aimed at regulating racism, and particularly institutional racism, in policy and policing. In linking this critique to the transformative potential of social movements, however, it goes on to examine the strategic and creative possibility of disrupting conventional modes of engaging, and resisting, law.
It's hard to imagine an issue or image more riveting than Black Germans during the Third Reich. Yet accounts of their lives are virtually nonexistent, despite the fact that they lived through a regime dedicated to racial purity. Tina Campt's Other Germans tells the story of this largely forgotten group of individuals, with important distinctions from other accounts. Most strikingly, Campt centers her arguments on race, rather than anti-semitism. She also provides oral history as background for her study, interviewing two Black Germans for the book. In the end, the author comes face to face with an inevitable question: Is there a relationship between the history of Black Germans and those of other black communities? The answers to Campt's questions make Other Germans essential reading in the emerging study of what it meant to be black and German in the context of a society that looked at anyone with non-German blood as racially impure at best.
A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory. What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere. Erin S...
"The only German literature journal that presents a coherently feminist perspective and that serves as a forum for feminist voices."_Susanne Zantop, Dartmouth College
Since unification in 1990, Germany has seen a boom in the confrontation with memory, evident in a sharp increase in novels, films, autobiographies, and other forms of public discourse that engage with the long-term effects of National Socialism across generations. Taking issue with the concept of "Vergangenheitsbewältigung," or coming to terms with the Nazi past, which after 1945 guided nearly all debate on the topic, the contributors to this volume view contemporary German culture through the more dynamic concept of "memory contests," which sees all forms of memory, public or private, as ongoing processes of negotiating identity in the present. Touching on gender, generations, memory and p...
The volume contains selected contributions to the Max Weber Foundation’s annual conference, organised by the German Historical Institute Moscow. The contributors look at the crisis-ridden processes of modernity through the prism of individual biographies, which manifest themselves in national and social, anti-imperial and de-colonial, global, and regional movements. The contributions cover the Russian, Habsburg, and Ottoman Empires, Germany, Italy, the USA, France, the Soviet Union, Iran, Poland, Turkey, and Africa. They focus on transnational and trans-imperial life paths, networks and the imprints of the actors as well as forms of (auto)biographical self-constitution and the political use of biographical narratives.
Knowing that queer voices have been making themselves heard in Germany, Switzerland, and Austria decades before Stonewall, editors Gary Schmidt and Merrill Cole curated thrilling snapshots of prose fiction from more than twenty contemporary writers whose work defies stereotypes, disciplines, and expectations. These authors produce fiction for adults and young people that celebrates the multiplicity of the present, casts a queer eye on the past, and interrogates LGBTQ+ futures. These outstanding texts exemplify the glittering variety of styles, themes, settings, and subjects addressed by openly queer authors who write in German today. They explore identity, sexuality, history, fantasy, loss, ...