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Latin American Music Available at Indiana University
  • Language: en
  • Pages: 230

Latin American Music Available at Indiana University

  • Type: Book
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  • Published: 1964
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  • Publisher: Unknown

None

Experimentalisms in Practice
  • Language: en
  • Pages: 369

Experimentalisms in Practice

Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.

Resources for the Study of Latin America at Indiana University
  • Language: en
  • Pages: 104

Resources for the Study of Latin America at Indiana University

  • Type: Book
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  • Published: 1972
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  • Publisher: Unknown

None

A Guide to the Latin American Art Song Repertoire
  • Language: en
  • Pages: 369

A Guide to the Latin American Art Song Repertoire

A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.

Latin American Collection Concepts
  • Language: en
  • Pages: 277

Latin American Collection Concepts

  • Type: Book
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  • Published: 2019-03-18
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  • Publisher: McFarland

Though still hampered by some challenging obstacles, Latin American collection development is not the static, tradition-bound field many believe it to be. Latin American studies librarians have confronted these difficulties head-on and developed strategies to adapt to the field's continuous digital advancements. Presenting perspectives from several independent Latin American libraries, this collection of new essays covers the history of collecting, current strategies in collection development, collaborative collection development, buying trips, and future trends and new technologies.

The Work of Recognition
  • Language: en
  • Pages: 345

The Work of Recognition

Work of Recognition: Caribbean Colombia and the Postemancipation Struggle for Citizenship

Tambú
  • Language: en
  • Pages: 115

Tambú

As contemporary Tambú music and dance evolved on the Caribbean island of Curaçao, it intertwined sacred and secular, private and public cultural practices, and many traditions from Africa and the New World. As she explores the formal contours of Tambú, Nanette de Jong discovers its variegated history and uncovers its multiple and even contradictory origins. De Jong recounts the personal stories and experiences of Afro-Curaçaoans as they perform Tambu–some who complain of its violence and low-class attraction and others who champion Tambú as a powerful tool of collective memory as well as a way to imagine the future.

Latin American Classical Composers
  • Language: en
  • Pages: 668

Latin American Classical Composers

Building on the strengths of the first edition, the second edition of Latin American Classical Composers: A Biographical Dictionary presents expanded and updated coverage of its topic with an aim to be comprehensive. The authors have conducted exhaustive research to fill in gaps and correct minor errors in the first edition, adding young composers and documenting deaths since 1996, when the first edition appeared. Hundreds of composers are represented in this volume, which presents biographical data, including dates of birth and death, personal information about composers' background and training, and a selective listing of each composer's works. Sources for further study are noted within each entry. An index of composers by country rounds out this work.

Catalog of the Latin American Collection
  • Language: en
  • Pages: 772

Catalog of the Latin American Collection

  • Type: Book
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  • Published: 1969
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  • Publisher: Unknown

None

Alberto Ginastera
  • Language: en
  • Pages: 269

Alberto Ginastera

  • Type: Book
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  • Published: 2011-05-03
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  • Publisher: Routledge

Alberto Ginastera: A Research and Information Guide is the first bio-bibliographic study of the composer and the only published book on the subject in English. This work fills a critical gap in contemporary music studies by enriching our knowledge of one of the most compelling creative voices of the Americas. Given the lack of prior systematic attention to Ginastera, this book establishes a firm foundation for future scholarship. It includes a detailed biographical sketch of the composer that quotes extensively from his letters. It summarizes the defining features of his style and encompasses his infrequently explored late works. It offers the most comprehensive catalogue of Ginastera’s music to date and provides an annotated list of his published writings. This book contains over 400 annotated bibliographic entries that refer to critically selected sources in English, Spanish, French, German, and Italian. The last chapter offers new information about archival holdings and internet resources that facilitates research on this composer. An appendix featuring a detailed chronology of Ginastera’s career completes this work.