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High Tide
Told more or less in reverse chronological order, High Tide is the story of Ieva, her dead lover, her imprisoned husband and the way their youthful decisions dramatically impacted the rest of their lives. Taking place over three decades, High Tide functions as a sort of psychological mystery, with the full scope of Ieva's personal situation and the relationship between the three main characters only becoming clear at the end of the novel. One of Latvia's most notable young writers, Abele is a fresh voice in European fiction, her prose is direct, evocative and exceptionally beautiful.
Inga Ābele
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The Year the River Froze Twice
Andrievs Radvilis is a former jockey on the Riga trotting track whose solitary retirement is interrupted when a young journalist comes to interview him about his career. Their meeting leads to a journey of reminiscence across Latvia, never straying far from the mighty Daugava river, which flows through the story as Radvilis recalls his early life. The weeks leading up to the fateful date of 25 March 1949, when Stalin launched his deportation campaign in Soviet Latvia, form the main historical backdrop of this novel. As an independent-minded man who would not engage with Stalinism nor compromise with the truth, Radvilis is imprisoned and blacklisted. Bitter experience of war, love and politics lead him to trust horses more than people. Inga Ābele was born in Riga in 1972. She studied biology at the University of Latvia, and worked for three years as a trainer on a horse-breeding farm. Her work shows evidence of her rigorous scientific training, balanced with her deep understanding of human motives. Ābele's prose works are the product of thorough research; she is fascinated by the little-known by-ways of Latvian history and its more unsung heroes.
World Literature and the Postcolonial
This volume approaches literary representations of post and neocolonialism by combining their readings with respective theoretical configurations. The aim is to cast light upon common characteristics of contemporary texts from around the world that deal with processes of colonization. Based on the epistemic discourses of postimperialism/postcolonialism, globalization, and world literature, the volume’s chapters bring together international scholars from various disciplines in the Humanities, including Comparative Cultural Studies, Slavic, Romance, German, and African Studies. The main concern of the contributions is to conceptualize an autonomous category of a world literature of the colonial, going well beyond established classifications according to single languages or center-periphery dichotomies.
Women and Gender in Central and Eastern Europe, Russia, and Eurasia
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Baltic Belles: The Dedalus Book of Latvian Women's Literature
This anthology spans more than a century, from the end of the 19th-century to the present day. It is a period marked by change, war, occupying regimes, and renewed freedom. Much of the early work written by Latvian women writers such as Anna Rumane-Kenina, Angelika Gailite, Anna Brigadere, Alija Baumane, and Mirdza Bendrupe is realist in nature, depicting an upheaval of mores and relationships forged not through tradition, but the pangs of love and passion.The Soviet era brought strict censorship to all forms of the arts, including literature.Despite this, authors like Regina Ezera were able to push their craft deeper into the psychological analysis of their characters. On the other side of ...
Gasoline
Heribert Juliá and Humbert Herrera are opposites: the one can no longer paint, and doesn't much care, the other wants to create the sculpture to end all sculptures, the film of all films, the exhibit of all exhibitions. One couldn't care less about his mistress, the other swoops in. A fun-house mirror through which Monzó examines the creative process.
Identity and Translation Trouble
Besides providing a thorough overview of advances in the concept of identity in Translation Studies, the book brings together a variety of approaches to identity as seen through the prism of translation. Individual chapters are united by the topic and their predominantly cultural approach, but they also supply dynamic impulses for the reader, since their methodologies, level of abstraction, and subject matter differ. The theoretical impulses brought together here include a call for the ecology of translational attention, a proposal of transcultural and farcical translation and a rethinking of Bourdieu’s habitus in terms of František Miko’s experiential complex. The book also offers first-hand insights into such topics as post-communist translation practices, provides sociological insights into the role politics played during state socialism in the creation of fields of translated fiction and the way imported fiction was able to subvert the intentions of the state, gives evidence of the struggles of small locales trying to be recognised though their literature, and draws links between local theory and more widely-known concepts.
The White Tiger
NOW A MAJOR MOTION PICTURE The stunning Booker Prize–winning novel from the author of Amnesty and Selection Day that critics have likened to Richard Wright’s Native Son, The White Tiger follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society. “This is the authentic voice of the Third World, like you've never heard it before” (John Burdett, Bangkok 8). The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society. Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.
Landscapes, Identities and Development
Bringing together theoretical and empirical research from 22 countries in Europe, North America, Australia, South America and Japan, this book offers a state-of-the-art survey of conceptual and methodological research and planning issues relating to landscape, heritage, [and] development. It has 30 chapters grouped in four main thematic sections: landscapes as a constitutive dimension of territorial identities; landscape history and landscape heritage; landscapes as development assets and resources; and landscape research and development planning. The contributors are scholars from a wide range of cultural and professional backgrounds, experienced in fundamental and applied research, plannin...
