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Nine Letters on Landscape Painting
Carl Gustav Carus (1789-1869)--court physician to the king of Saxony--was a naturalist, amateur painter, and theoretician of landscape painting whose Nine Letters on Landscape Painting is an important document of early German romanticism and an elegant appeal for the integration of art and science. Carus was inspired by and had contacts with the greatest German intellectuals of his day. Carus prefaced his work with a letter from his correspondence with Johann Wolfgang von Goethe, who was his primary mentor in both science and art. His writings also reflect, however, the influence of the German natural philosopher Friedrich Wilhelm Joseph Schelling, especially Schelling's notion of a world soul, and the writings of the naturalist and explorer Alexander von Humboldt. Carus played a role in the revolution in landscape painting taking place in Saxony around Caspar David Friedrich. The first edition appears here in English for the first time.
Nature of the Miracle Years
After 1945, those responsible for conservation in Germany resumed their work with a relatively high degree of continuity as far as laws and personnel were concerned. Yet conservationists soon found they had little choice but to modernize their views and practices in the challenging postwar context. Forced to change by necessity, those involved in state-sponsored conservation institutionalized and professionalized their efforts, while several private groups became more confrontational in their message and tactics. Through their steady and often conservative presence within the mainstream of West German society, conservationists ensured that by 1970 the map of the country was dotted with hundreds of reserves, dozens of nature parks, and one national park. In doing so, they assured themselves a strong position to participate in, rather than be excluded from, the left-leaning environmental movement of the 1970s.
Hitler's Salon
From 1937 to 1944 the National Socialist regime organised a series of art exhibitions, Grosse Deutsche Kuntstausstellung, in Munich. This book traces the history of the exhibitions, characterises the artists and artworks shown and investigates how the local Munich tradition of displaying art was reinvented for national purposes.
Munich and Memory
Munich, notorious in recent history as the capital of the Nazi movement, is the site of Gavriel Rosenfeld's stimulating inquiry into the German collective memory of the Third Reich. Rosenfeld shows, with the aid of a wealth of photographs, how the city's urban form developed after 1945 in direct reflection of its inhabitants' evolving memory of the Second World War and the Nazi dictatorship. In the second half of the twentieth century, the German people's struggle to come to terms with the legacy of Nazism has dramatically shaped nearly all dimensions of their political, social, and cultural life. The area of urban development and the built environment, little explored until now, offers visi...
Art Books
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Dauer und Wechsel
>Dauer und Wechsel markiert als poetisches Begriffspaar zwei Pole künstlerischer Haltung und ein zentrales Prinzip der Kunst: Dem Beharren auf Kanonischem steht der Wunsch nach Erneuerung und Modernisierung entgegen. Diesem spannungsreichen Verhältnis gehen die fünfundzwanzig Aufsätze des vorliegenden Bandes nach. Thematischer Schwerpunkt ist dabei die Architektur des 19. und 20. Jahrhunderts. Um dieses Zentrum gruppieren sich Beiträge, deren Spektrum von gotischer Baukunst bis zu zeitgenössischer Kunst reicht und Gattungen wie Malerei, Skulptur, Denkmalpflege, Design und Literatur umfaßt. Dauer und Wechsel
