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First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics -- conscious subjective agency, rational control and self-containment, the subjugation of nature -- and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations -- nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth cent...
Memoirs of a Simple German Girl is the history of two average people and their families who lived in Germany before, during, and after WWII. If you enjoy history and how simple folks lived in the early 20th century - what they ate, how they lived, survived, and what they saw as they journeyed through life in Germany, Canada, and the USA - this book is for you. It includes brief history summations of Europe and other historical information that interacts with these two people's lives. It is about life, true love, and family!
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This Festschrift for Ronald Speirs, Professor of German at the University of Birmingham, contains twenty-four original essays by scholars from Great Britain, Germany, Austria, and Norway. Between them they encompass the entire modern period from the later eighteenth century onwards, and focus on a wide range of German-speaking environments. Several essays throw new light on authors to whom Professor Speirs himself has devoted particular attention (such as Brecht, Thomas Mann, Nietzsche, and Fontane), whilst others discuss writers such as Lenz, Büchner, Böhlau, C. F. Meyer, Keyserling, Jahnn, and Huch. Above all, however, the contributions address the complexities of writing in ideologically diverse contexts, including the Third Reich and the former German Democratic Republic. This interplay between text and context is the cornerstone which links all the essays, as it has consistently informed Ronald Speirs's own work - which combines a scrupulous attention to textual detail with an acute awareness of the socio-political milieux and philosophical influences that shape creative literature.
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.
This collection of papers on phrasal compounding is part of a bigger project whose aims are twofold: First, it seeks to broaden the typological perspective by providing data for as many different languages as possible to gain a better understanding of the phenomenon itself. Second, based on these data which clearly show interaction between syntax and morphology it aims to discuss theoretical models which deal with this kind of interaction in different ways. Models like Generative Grammar, assume components of grammar and a clear-cut distinction between the lexicon (often including morphology) and grammar. Other models like construction grammar do not assume such components and are rather based on a lexicon including constructs. A comparison of these models on the basis of this phenomenon on the morphology-syntax interface makes it possible to assess their descriptive and explanatory power.