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Collective Creativity
Collective Creativity combines complex and ambivalent concepts. While ‘creativity’ is currently experiencing an inflationary boom in popularity, the term ‘collective’ appeared, until recently, rather controversial due to its ideological implications in twentieth-century politics. In a world defined by global cultural practice, the notion of collectivity has gained new relevance. This publication discusses a number of concepts of creativity and shows that, in opposition to the traditional ideal of the individual as creative genius, cultural theorists today emphasize the collaborative nature of creativity; they show that ‘creativity makes alterity, discontinuity and difference attrac...
Guilt
Across the globe guilt has become a contentious issue in discussions over historical accountability and reparation for past injustices. Guilt has become political, and it assumes a highly visible place in the public sphere and academic debate in fields ranging from cultural memory, to transitional justice, post-colonialism, Africana studies, and the study of populist extremism. This volume argues that guilt is a productive force that helps to balance unequal power dynamics between individuals and groups. Moreover, guilt can also be an ambivalent force affecting social cohesion, moral revolutions, political negotiation, artistic creativity, legal innovation, and other forms of transformations...
Economic Spaces of Pastoral Production and Commodity Systems
Pastoralism as a land use system is under recognized in terms of its contribution to food provision, livelihoods as well as to human security. This book is the first attempt to explore the dynamics of economic spaces of pastoral production and commodity systems for explicit South and North positionings. It develops and applies a new approach in combining agri-food, market and commodity chain perspectives with livelihood approaches. This enables new understandings of re-aligning exchange relations between the global south and the global north. The case studies presented open up new empirical insights in largely under-researched areas, such as Afghanistan, Chad, Tibet and Siberia and very recent changes in industrialized economies with major pastoral sectors. The book reveals new evidence and theoretical insights about significant changes in established producer-consumer relations in agriculture and food.
Namaqualand
Namaqualand – a desert of succulents. From dwarf species barely a few millimetres tall to trees several metres high, the range of succulent plants in this seemingly desolate region is unrivalled in both its extent and its variety of forms. Tiny plants that resemble flowering stones dot a plain of quartz; a minute 'garden' fills a rock crevice; an exuberant burst of vygies colours a patch of veld. About a third of the 3000 or so plant species in Namaqualand are succulents, and they include the largest concentration of miniature succulent species in the world. But there is much more. Namaqualand's bulb flora is the richest of any arid region on earth: amaryllids, irids, lilies and many more,...
Religion, Reason, and Culture in the Age of Goethe
Investigates how culture in the Age of Goethe shaped and was shaped by a sustained and multifaceted debate about the place of religion in politics, philosophy, and culture. The eighteenth century is usually considered to be a time of increasing secularization in which the primacy of theology was replaced by the authority of reason, yet this lofty intellectual endeavor played itself out in a social and political reality that was heavily impacted by religious customs and institutions. This duality is visible in the literature and culture of late eighteenth- and early nineteenth-century Germany. On the one hand, authors such asGoethe, Schiller, and Kleist are known for their distance from tradi...
The Myth of Abstraction
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.Once upon a time (or more specifically, in 1911!) there was an artist named Wassily Kandinsky who created the world's first abstract artwork and forever altered the course of art history - or so the traditional story goes. A good story, but not the full story. The Myth of Abstraction reveals that abstract art was envisioned long before Kandinsky, in the pages of nineteenth-century German literature. It originated from the written word, described by German writers who portrayed in language what did not yet exist as art. Yet if writers wer...
Die Pluralektik Der Romantik
In fünfzehn Kapiteln fragt diese Studie nach im wesentlichen literarischen und musikalischen Erscheinungsformen einer in der Romantik maßgeblich entwickelten poetischen Denkweise, die hier als eine pluralektische vorgestellt wird. Im Romantischen kristallisiere sich die 'Lektüre des Heterogenen', wie Novalis notierte. Er war es auch, der eine 'Theorie der Berührung' und des Übergangs entwerfen wollte. Noch für die in der Forschung vergleichsweise weniger beachtete Spätromantik, der im dritten Teil dieses Buches besondere Aufmerksamkeit zuteil wird, blieb dieser Ansatz verbindlich. Der unverwechselbare Beitrag der Romantik zur Ideengeschichte, so die Hauptthese dieser Arbeit, liegt in ihrer den dialektischen Schematismus entgrenzenden Pluralektik, die sich mit mythologischer Motivik verband, im Roman exponierte und in der poetischen Musik selbst besang.
Heinrich Von Kleist
Volume of new essays investigating Kleist's influences and sources both literary and philosophical, their role as paradigms, and the ways in which he responded to and often shattered them.Heinrich von Kleist (1777-1811) was a rebel who upset canonization by employing his predecessors and contemporaries as what Steven Howe calls "inspirational foils." It was precisely a keen awareness of literary and philosophical traditions that allowed Kleist to shatter prevailing paradigms. Though little is known about what specifically Kleist read, the frequent allusions in his enduringly modern oeuvre indicate fruitful dialogues with both canonical and marginal works of European literature, spanning anti...
New Germans, New Dutch
In today’s globalized world, traditions of a national Self and a national Other no longer hold. This timely volume considers the stakes in our changing definitions of national boundaries in light of the unmistakable transformation of German and Dutch societies. Examining how the literature of migration intervenes in public discourses on multiculturality and including detailed analysis of works by the Turkish-German writers Emine Sevgi Özdamer and Feridun Zaimoglu and the Moroccan-Dutch writers Abdelkader Benali and Hafid Bouazza, New Germans, New Dutch offers crucial insights into the ways in which literature negotiates both difference and the national context of its writing.
German in the World
Weighs the value of Germanophone culture, and its study, in an age of globalization, transnationalism, and academic change.
