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Eyes as Big as Plates
Eyes as Big as Plates is an ongoing collaborative photography and sculpture project by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (both born 1980). Initially a play on characters from Nordic folklore, the series has evolved into a search for the human connection to nature. Hjorth & Ikonen work together throughout the process with their complementary skills (Karoline is the photographer in the duo, while Riitta works mainly with the creation of the wearable sculptures). Since 2011 the duo has collaborated with retired farmers, fishermen, zoologists, plumbers, opera singers, housewives, artists and academics. Each character inhabits the landscape in a wearable sculpture made from natural materials. The book features portraits, field notes, essays and behind-the-scenes stories from many of the project's 60 shoots. With international press coverage in the Huffington Post, the BBC, TIME LightBox, Life and elsewhere, plus a highly successful Kickstarter campaign attracting a large American audience, the series has developed into a project with universal appeal.
Could Have, Would Have, Should Have
What does it take to be a serious art collector? What drives someone to go after a particular work regardless of the cost? What form of addiction or compulsion causes an individual to devote vast amounts of time, money and emotional energy in pursuit of something that is unobtainable to most of us? Tiqui Atencio has been collecting since she was eighteen years old. Decades later she is one of the most prominent collectors of contemporary art, on the boards of international museums and art-world power lists. For Could Have, Would Have, Should Have, she has interviewed more than eighty of the world's most influential collectors - from financiers to artists - and asked them to tell their own st...
Daniel Buren Underground
This book tells the story of the first permanent artwork, Diamonds and Circles, in the UK by the renowned artist Daniel Buren (born 1938), widely considered France's greatest living artist and one of the most significant contributors to the conceptual art movement. Commissioned by Art on the 'Underground', Buren has created a new permanent installation at Tottenham Court Road station in the center of London, famously the location of extensive 1980s mosaics by Eduardo Paolozzi. The artwork, which is set to be completed in late 2016, will become a major feature of the two new entrances and ticket hall of the redesigned station. A conversation between Buren and Tim Marlow walk the reader through the Tottenham Court Road installation and discuss it alongside his other public transport works, while a text by Hans Ulrich Obrist places the work in the context of Buren's wider practice since the 1960s. More than a rare monograph in English on one of the most influential international artists of recent decades, this volume also takes the reader on the fascinating journey from initial artistic concept through to realized physical form in the public realm.
Émigrés
Examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
Fourth Plinth
The vacant plinth in the north-west corner of London's Trafalgar Square has provoked controversy for generations. Originally intended to hold an equestrian statue of William IV, it remained empty because of a lack of funds. For a century and half, debate over the plinth's fate raged until 1998, when it was decided to use the spot as a site of temporary commissions of contemporary art by leading artists. A marble statue of a heavily pregnant disabled artist, a scale model of Nelson's HMS Victory with African print sails inside a huge bottle and a giant cockerel in striking blue are just some of the controversial and political art works that have added a modern and provocative element to the f...
Otto Künzli
The Swiss Otto Künzli (born in 1948) revolutionised modern jewellery design and is regarded as ‘one of the most intelligent and at the same time most critical artists in the world of jewelry’ (Ralph Turner: The New Jewelry, 1985/1994). Over the course of his involvement with jewellery, spanning around 45 years, Otto Künzli achieved a unique status as an artist and pioneer, and also as an author and teacher, with widespread international influence. Renowned artists such as Karen Pontoppidan (Konstfack, Stockholm), Karl Fritsch (Royal Melbourne Institute of Technology), David Bielander and Lisa Walker are amongst the graduates of the jewellery class at the Academy of Fine Arts in Munich,...
No-ISBN
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN).A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists interspersed with texts on the international boom of artists' books, written by active practitioners of self-publishing.This first, richly illustrated reader has been compiled by a team of editors uniting the areas of conceptual art, media theory, and cultural studies. It thus offers a navigational aid in the discovery of new, uncharted terrain.Rather ironically, this book has an ISBN.
On Being an Artist
Celebrated artist and influential teacher Michael Craig-Martin's first book is a lively mix of reminiscence, personal manifesto, anecdote and advice for the aspiring artist in a new paperback edition Few living artists can claim to have had the influence of Michael Craig-Martin. Celebrated around the world for his distinctive work, and with major retrospectives, high-profile commissions and numerous honours to his name, he has also helped nurture generations of younger artists, among them Julian Opie, Damien Hirst, Sarah Lucas, Liam Gillick and Gary Hume. Often described as the godfather of the YBAs, he taught by combining personal example and individual guidance, offering students encourage...
World Art
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The Structure of International Publishing in the 1990s
The past decade has brought dramatic changes to the publishing industry. Publishing companies merged with one another or were bought by larger companies or media conglomerates; mergers and acquisitions crossed national boundaries and language barriers; technological advances altered the publication process and made available new media and the re-examination of the established print media. This volume examines these changes and illuminates the various prospects for the future of publishing in the coming decade.
