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Masculinities and Manhood in Contemporary Irish Drama
This book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama c...
Irish Modernisms
"Focusing on previously unexplored theoretical gaps, limitations, and fresh avenues of inquiry within the canon and scholarship of Irish modernism, this book interrogates marginalised and neglected figures and genres to develop a more attentive and fluid theoretical space in which to reflect upon the field. Probing Irish modernism's responsiveness to contemporary theory beyond postcolonial and Irish studies, this book uses diverse paradigms including weak theory, biopolitics, posthumanism, and the nonhuman turn, to rethink Irish modernism's organising themes: nationalism, martyrdom, war, state violence, prostitution, temporality, death, mourning. At the same time, cutting-edge work from quee...
Irish Literature
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
Irish Studies Now
This volume reflects on the pressing questions for Irish literary studies now. Contributors challenge assumptions within the field, seek to displace the canon, and define alternative paths. The collection reflects on where we have come from and the development of Irish studies both in the Irish University Review and internationally.
Echoes Down the Corridor
Essays on contemporary Irish theatre
The Internationalism of Irish Literature and Drama
This book contains the proceedings of the Seventh Triennial Conference of the I.A.S.A.I.L. held at Coleraine in July of 1988.
The Ordnance Survey and Modern Irish Literature
The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland, tracing a history of Irish writing through James Clarence Mangan, J.M. Synge, W.B. Yeats, James Joyce, and Samuel Beckett. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that one of the sources of Irish modernism lies in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. The Ordnance Survey instituted a practice of depicting the country as modern, fragmented, alienated, and troubled, both diagnosing and representing a landscape burdened with the paradoxes o...
Ritual Remembering
Most of the essays in Ritual Remembering: History, Myth and Politics in Anglo-Irish Drama, in part or in whole, frequently allude or directly concern themselves with the dramatic representation of the opposition or the collusion of myth and history, and the uses and abuses of both. Equally they celebrate and critically analyse the politics of the social conscience and social consciousness which pervades Irish drama in its rituals of forgetfulness and memory. Perhaps myth is above all to be understood as the conscience and consciousness of history; and politics is the projection of that myth into present social action - on the hustings (nowadays more frequently the television hustings), at the ballot box, in writing and on the stage. Most of the articles in this volume revolve around these gravely portentous and ambivalent themes, which nobody who is as much concerned with Anglo-Irish relations as with Anglo-Irish literature can disregard or evade.
Modern Writers, Transnational Literatures
This book addresses W.B. Yeats's and Rabindranath Tagore's engagements with identity, nationalism, and the literary and cultural traditions of Ireland and India. It offers a fresh critical perspective on their work from the beginning of the twentieth century, the point at which their international collaborations most significantly influence the cross-border lives of their literature. This book foregrounds the Yeats-Tagore relationship, significant among their international collaborations, provides a new analysis of the fraught beginning to Tagore's international fame, and the value of reading his English translations as original texts, as is done by many English-language readers. Of Tagore's...
Translated and Visiting Russian Theatre in Britain, 1945–2015
This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
