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The Days of Live
A fascinating account of the era of live television. Compiled from the first-hand accounts of 21 members of the Directors Guild of America who were instrumental in shaping the medium during this formative phase, the book covers the development of network programming, technical advances, sponsor relations, and the blacklist.
I Remember Television
"...fascinating...everything you'd want to know about those wonderful years of live TV can be found in this book!" --Ed McMahon
Chester Morris
The prodigious but humble scion of a New York theatrical family, Chester Morris acted on Broadway as a teenager and earned an Academy Award nomination for his first role in a Hollywood "talkie," Alibi (1929). He became leading man to filmdom's top female stars and starred in the popular series of "Boston Blackie" mysteries before creating substantial characters in the theater and the burgeoning medium of television. This first book about Morris provides a detailed account of his life and career on stage, film, radio and television, and as a celebrated magician. It also constructs a fascinating record of his previously undocumented labor activism during the early years of the Screen Actors Guild and his tireless efforts to aid U.S. troops on the home front during World War II.
Winter Kills
A whistleblower looks too deeply into a president’s assassination in this darkly satiric conspiracy thriller from the author of The Manchurian Candidate. It has been more than a decade since the assassination of US President Timothy Kegan, who was gunned down while riding in a motorcade through the streets of Philadelphia. The “lone gunman” responsible was arrested and convicted, and the country has moved on. President Kegan’s half-brother Nick tries to move on as well—until he overhears the deathbed confession of a man who claims to have been a second shooter. Suddenly Nick’s embroiled in a Kafkaesque conspiracy that stretches from Washington DC to Cuba and all the way into Engl...
June Allyson
June Allyson (1917-2006) was an American film, television and stage actress, singer, dancer and author. After appearing in movie shorts and on Broadway as a chorus girl and featured player, she became an A-list box office attraction in the 1940s and 1950s in films like The Three Musketeers (1948), Little Women (1949), The Glen Miller Story (1954) and Strategic Air Command (1955). She went on to host and star in her own television anthology series from 1959 to 1961, and made many appearances in films in television shows. This first biography of Allyson covers her life and career, and features an appendix of her work.
Shakespeare on Screen: Romeo and Juliet
From canonical movies to web series, this volume illuminates myriad forms of Romeo and Juliet on screen around the world.
Who Was Who on TV
The information herein was accumulated of fifty some odd years. The collection process started when TV first came out and continued until today. The books are in alphabetical order and cover shows from the 1940s to 2010. The author has added a brief explanation of each show and then listed all the characters, who played the roles and for the most part, the year or years the actor or actress played that role. Also included are most of the people who created the shows, the producers, directors, and the writers of the shows. These books are a great source of trivia information and for most of the older folk will bring back some very fond memories. I know a lot of times we think back and say, "Who was the guy that played such and such a role?" Enjoy!
One Night on TV Is Worth Weeks at the Paramount
Musical performance has been a part of television since the introduction of the medium. The styles and production requirements of music and of television have long influenced the other. Murray Forman gives the history of this interaction, going back to the early years of television, before the broadcast networks, up through the late fifties. He explores the full range of popular music from show tunes to Latin in a wide variety of television programs, and shows how the standards of presentation and performance developed.
It's the Pictures That Got Small
An original study of Hollywood film stars and 1950s television
Theater of the Mind
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
