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Washington Irving and the Fantasy of Masculinity
Washington Irving remains one of the most recognized American authors of the 19th century, remembered for short stories like Rip van Winkle and The Legend of Sleepy Hollow. He also accomplished other writing feats, including penning George Washington's biography and other life stories. Throughout his life, Irving was at odds with socially-approved ways of "being a man." Irving purportedly saw himself and was seen by others as feminine, shy, and non-confrontational. Likely related to this, he chose to engage with other men's fortunes and adventures by writing, defining his male identity vicariously, through masculine archetypes both fictional and non-fictional. Sitting at the intersection of literary studies and masculinity studies, this reading reconstructs Irving's life-long struggle to somehow win a place among other men. Readers will recognize masculine themes in his tales from the Spanish period, his western adventures, as well as in historical biographies of Columbus, Mahomet, and Washington. In many writings by Irving, especially Sleepy Hollow, readers will observe themes dominated by masculinity. The book is the first of its kind to encompass and examine Irving's writings.
Pierre M. Irving and Washington Irving
Washington Irving and his nephew Pierre first met as adults in 1826. In compliance with teh wises of his uncle, Pierre assumed the roles of real estate agent, comptroller, editor, confidant and nurse. After the author's death in 1859, Pierre compiled The Life and Letters of Washington Irving, which for three generations remained the standard biographic portrait. The present work traces the relationships between Pierre and Washington Irving. In addition it includes a biography of Pierre M. Irving.
Henry Irving's Waterloo
In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself. Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Washington Irving
Brian Jay Jones crafts a deft biography of the author of “The Legend of Sleepy Hollow” and “Rip van Winkle”: quintessential New Yorker, presidential confidant, diplomat, lawyer, and fascinating charmer. The first American writer to make his pen his primary means of support, Washington Irving rocketed to fame at the age of twenty-six. In 1809 he published A History of New York under the pseudonym Diedrich Knickerbocker, to great acclaim. The public’s appetite for all things Irving was insatiable; his name alone guaranteed sales. At the time, he was one of the most famous men in the world, a friend of Dickens, Hawthorne, and Longfellow, as well as Astor, van Buren, and Madison. But his sparkling public persona was only one side of this gentleman author. In brilliant, meticulous strokes, Brian Jay Jones renders Washington Irving in all his flawed splendor—someone who fretted about money and employment, suffered from writer’s block, and doggedly cultivated his reputation. Jones offers a very human portrait of the often contrasting public and private lives of this true American original.
John Irving and Cultural Mourning
Alone among contemporary American novelists, John Irving seems to bridge the ever-present cultural divide between best-selling fiction and serious literary endeavour. His Irvingnesque style encapsulates the shifting patterns of American culture since the 1960s, expressing a mood of nostalgic melancholy or cultural mourning, which seems to go against ideas of the Postmodern. Indeed, Irving is one of the very few commercial novelists to be taught on university courses, this book is the first full-length study of his writing to situate him within the social, historical and political context of his times. It contends that postmodernism derives from the political failure of the sixties and a narcissistic obsession with the composition of the self. This narcissism is at the same time what Freud labels as cultural melancholia, the mourning of a lost ideal self-image. Just as nostalgia appears as narcissistic history, this lost self-image conjures up the figure of the Dead Father and the Father's Law, a figure which Irving's prose obsessively pursues.
