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"A Girl Among The Anarchists" by using Isabel Meredith is a charming novel set in overdue Victorian London that delves into the sector of anarchist moves and their impact on society. The tale follows Sylvia Scarlett, a younger lady who finds herself drawn into the tumultuous world of anarchists. As Sylvia turns into increasingly involved with the anarchist group, she grapples with questions of freedom, justice, and the morality of modern action. Through her reviews, readers are taken on a journey thru the novel subculture of London, wherein passionate ideals conflict with harsh realities. Meredith skillfully explores the complexities of anarchist ideology and its results on individuals, port...
Excerpt from A Girl Among the Anarchists I think that Isabel Meredith, so far as the outlook of her book extends, is a disciple of Spinoza. But she can speak for herself. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Essays considering the representation and perception of hell in a variety of texts.
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This essential Companion to Thomas Pynchon provides all the necessary tools to unlock the challenging fiction of this postmodern master.
Dynamite novels meet highbrow modernism via the impact of terrorism. Between 1880 and 1915, a range of writers exploited terrorism's political shocks for their own artistic ends. Drawing on late-Victorian 'dynamite novels' by authors including Robert Louis Stevenson, Tom Greer and Robert Thynne, radical journals and papers, such as The Irish People, The Torch, Anarchy and Freiheit, and modernist writing from H.G. Wells and Joseph Conrad to the compulsively militant modernism of Wyndham Lewis and the Vorticists, O Donghaile maps the political and aesthetic connections that bind the shilling shocker closely to modernism.