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African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.
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«La voz de todos los susurros de la conciencia canadiense, el símbolo de una composición étnica abigarrada» Héroe, traidor, asesino, hereje, mártir, loco, noble salvaje, agente del imperialismo yanqui, defensor de los derechos de los mestizos y de los indios, padre de la provincia de Manitoba e, incluso, uno de los fundadores de la Confederación Canadiense. La Historia quiso que epítetos tandiversos y discordantes correspondan a un mismo individuo: Louis Riel. La vida y muerte de este personaje se han convertido en mitos fundacionales de Canadá. Louis Riel fue líder del pueblo métis —etnia mestiza, de ascendencia indígena y europea— que encabezó dos movimientos de resistenc...
Sophocles' Antigone has been staged all over the world, and many of these productions have reconceived and remade the play to address local issues and concerns. This collection of essays explores the play's reception in numerous countries, as diverse as The Congo and Australia, Argentina and Japan.
The Militant Intellect offers a way of rethinking the relationship between critical theory and politics. How does critical theory become self-conscious of its own relation to politics? How does it contribute to change the world through its reinterpretation of it? These are some of the questions that drive The Militant Intellect. In this book Andrés Fabián Henao Castro argues that critical theory cultivates the militancy of the general intellect by training that intellect to work towards the intersectional and structural death of the colonist and thus to envision at the same time the materialization of that feminist decolonial communist queer marronage world that constitutes its horizon. He...
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