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Double-consciousness/double Bind
"'It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others.' For Adell, W. E. B. Du Bois's famous articulation of the 'twoness' of black Americans is the key to understanding the 'double bind' which afflicts contemporary African-American literary theory. . . . The book] demands and deserves recognition as a cogent intervention." -- Yearbook of English Studies
Confessions of a Slot Machine Queen
A literature professor in the Department of Afro-American Studies at the University of Wisconsin-Madison describes her downward spiral into gambling addiction and despair.
African American Literary Theory
Fifty-one essays by writers such as Langston Hughes, W.E.B. Du Bois, Ralph Ellison, and Zora Neale Hurston, as well as critics and academics such as Henry Louis Gates, Jr. examine the central texts and arguments in African American literary theory from the 1920s through the present. Contributions are organized chronologically beginning with the rise of a black aesthetic criticism, through the Black Arts Movement, feminism, structuralism and poststructuralism, queer theory, and cultural studies. Annotation copyrighted by Book News Inc., Portland, OR
Toni Morrison
Gale Study Guides to Great Literature is a reference line composed of three series: Literary Masters, Literary Masterpieces and Literary Topics. Convenient, comprehensive and targeted toward current coursework, these guides place authors, titles and topics into context for high school and college students as well as general researchers. Each Literary Masters volume introduces a significant author, covering basic biographical information. The related Literary Masterpieces volume explores a major title from this author's works in detail. Finally, the Literary Topics volume places the author and work within a relevant literary movement or genre.
Critical Affinities
Critical Affinities is the first book to explore the multifaceted relationship between the philosophy of Friedrich Nietzsche and various dimensions of African American thought. Exploring the connections between these two unlikely interlocutors, the contributors focus on unmasking and understanding the root causes and racially inflected symptoms of various manifestations of cultural malaise. They contemplate the operative warrant for reconstituted conceptions of racial identity and recognize the existential and social recuperative potential of the will to power. In so doing, they simultaneously foster and exemplify a nuanced understanding of what both traditions regard as "the art of the cultural physician." The contributors connote daring scholarly attempts to explicate the ways in which clarifying the critical affinities between Nietzsche and various expressions of African American thought not only enriches our understanding of each, but also enhances our ability to realize the broader ends of advancing the prospects for social and psychological flourishing.
May All Your Fences Have Gates
This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama. The collection includes essays by virtually all the scholars who have currently published on Wilson along with many established and newer scholars of drama and/or African American literature.
Contemporary Plays by African American Women
African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.
Reading Multiple Consciousness
For over a century, the intellectual debate of scholars from African descent has been dominated by the idea of double consciousness spearheaded by W.E.B. DuBois. Interestingly, with many years of vexatious issues of the encounter between the West and Africa, many scholars approached the debate on the basis of the consciousness of the Self and the Other. However, this idea seems to overlook the multiplicities of being black/white. Reading Multiple Consciousness: Exploring the Complexity of Postmodern Identity suggests a different approach to the issue by taking more steps beyond double consciousness. It enriches the debate over race literature and colonization as it offers another way of reading texts. This book proposes that the complexity of postmodern identity is more accurately described by a theory of multiple consciousness. This study arises out of the necessity of a more nuanced theoretical framework for a younger generation of researchers on both sides of the Atlantic, a conceptual approach that does justice to the complexity of their experience.
The African American Theatrical Body
Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath.
Living on the Land
From a variety of methodological perspectives, contributors to Living on the Land explore the nature and scope of Indigenous women’s knowledge, its rootedness in relationships, both human and spiritual, and its inseparability from land and landscape. The authors discuss the integral role of women as stewards of the land and governors of the community and points to a distinctive set of challenges and possibilities for Indigenous women and their communities.
