Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Reception of Robert Burns in Europe
Robert Burns (1759 –1796), Scotland's national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.
Hungarian Authors; a Bibliographical Handbook
This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides observations on the writings of the author and his place in Hungarian literature, and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.
The Encyclopedia of the Musical Theatre
[V.1.] A-K -- [v.2.] L-Z.
Istvan bacsi Naptara
None
Cancan!
Cancan! covers the nineteenth-century influences on the dance's development, including women's fashions (particularly their underwear), sex and morality, and major political changes. Author David Price describes the colourful personalities responsible for the transformation of what was an amateur dance into a professional entertainment, and the theatres, music-halls and dancing gardens where they performed. The book gives a full account of the ballets, operettas and musicals by Offenbach, Lehar, Cole Porter and others featuring the cancan, as well as the artists and film-makers who depicted the dance in their work - artists like Toulouse-Lautrec, Seurat, Picasso, Rouault and the Second Empire illustrators; and film-makers such as Jean Renoir, John Huston and others. Included are comments from dancers and choreographers in France, Britain and the USA.
Növilag
None
