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Hungarian Authors
This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides observations on the writings of the author and his place in Hungarian literature, and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.
One Woman in the War
Before the publication of this book, Alaine Polcz was widely recognized as a psychologist ministering to the needs of disturbed and incurably ill children and their families, as the author of numerous articles and several books on thanatology, and as the founder of the hospice movement in Hungary. The autobiographic account of the experiences of a woman, then 19-20, in the closing months of the Second World War. When it was first published, in 1991, the book was a revelation of past horrors in Hungary which, until then, had lingered on in the farthest reaches of the national memory as rumor and suspicion about the violent acts committed against women during a time of chaos, havoc, and savage...
Namath: A Biography
In between Babe Ruth and Michael Jordan there was Joe Namath, one of the few sports heroes to transcend the game he played. Novelist and former sports-columnist Mark Kriegel’s bestselling biography of the iconic quarterback details his journey from steel-town pool halls to the upper reaches of American celebrity—and beyond. The first of his kind, Namath enabled a nation to see sports as show biz. For an entire generation he became a spectacle of booze and broads, a guy who made bachelorhood seem an almost sacred calling, but it was his audacious “guarantee” of victory in Super Bowl III that ensured his legend. This unforgettable portrait brings readers from the gridiron to the go-go nightclubs as Kriegel uncovers the truth behind Broadway Joe and why his legend has meant so much to so many.
Nationalism and Territory
Why do nations come into conflict? What factors lead to the horrors of ethnic cleansing? This timely book offers clear-eyed answers to these questions by exploring how national identity is shaped by place, focusing especially on Serbia, Hungary, and Romania. Moving beyond studies of nationalism that consider only the economic and geostrategic value of territory, George W. White shows that the very core of national identity is intimately bound to specific places. Indeed, nations define themselves in terms of spaces that have historical, linguistic, and religious meaning, as Serbs have clearly demonstrated in Kosovo. These territories are concrete expressions of a nationAIs identity, both past and present. With his detailed analysis of the places that define national identity in Southeastern Europe, White convincingly shows why territorial disputes so often escalate into war.
Comparing the Literatures
Paperback reprint. Originally published: 2020.
The Cause of Cosmopolitanism
This work, in assessing cosmopolitanism as a cause, argues that justifications and critiques of the cosmopolitan are shaped as much by political and cultural forces as by the distinctive philosophical tradition in which it is situated.
Subversive Stages
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or ?inter-theatricality? as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. In the Soviet bloc the theater of the absurd, experimentation, irony, and intertextual distancing (estrangement) were much more than mere aesthetic language games, but were planned political strategies that used indirection to say what could not be said directly. Plays by Romanian, Hungarianÿand Bulgarian dramatists are examined, who are ?retrofitting? the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region?s traumatic history. By the sustained analysis of the aesthetic devices used as political tools, Orlich makes a very strong case for the continued relevance of the theater as one of the subtlest media in the public sphere. She embeds her close readings in a thorough historical analysis and displays a profound knowledge of the political role of theater history. ÿ
History of the Literary Cultures of East-Central Europe
Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites--multicultural cities, border areas, cross-cultural corridors, multiethnic regions--that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, howev.
