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In the early morning of March 31, 1970 in Belo Horizonte, Brazil, the annual birthday celebration of a prominent and wealthy young artist is taking place; and a train docked in Plaza Station filled with starving, drought-stricken migrant workers seeking relief gets turned away by the authorities, sparking a riot. From these seemingly unrelated events, Ivan Angelo's remarkable debut novel connects and implicates the lives of a complex of characters spanning three decades of tumultuous social and political history in twentieth-century Brazil. But with the central event - the celebration - missing, the reader is thrust into the middle of an intricate puzzle, left to construct the story from the evidence that accrues in a range of comic, unnverving, misleading and tragic episodes.
opinion, the Guide offers a discriminating - and sometimes controversial - view of a broad range of contemporary literatures.
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.
Verse From My Soul is filled with a lifetime of inspirational poetic verse that has been birthed from my life experiences of trial and triumph through faith in God. It tells of the pressures of day to day life, the challenges of being a woman, a wife and a mother. It is filled with things I have learned and things I am yet learning. This volume of poetry bears my innermost soul. When you read it you will find yourself somewhere between these pages. Hopefully, you will find love - for God is love. It is my prayer that it will lift you; give you the strength to go on, the power to succeed and faith and determination to realize that with God all things are possible.
Whose strike is it? -- The craft of expansive navigation -- Fish and bait -- One big family -- Pissing rage -- Terms of transcultural affinity -- Conclusion: Mediterranean afterlife of a dying fishing town
“Life without struggle is a life without reward Life without rain is a drought Life without sunshine is dreary and bleary Life without love is no life all”—Iris Wiggins
In Working Women, Working Men, Joel Wolfe traces the complex historical development of the working class in Sào Paulo, Brazil, Latin America's largest industrial center. He studies the way in which Sào Paulo's working men and women experienced Brazil's industrialization, their struggles to gain control over their lives within a highly authoritarian political system, and their rise to political prominence in the first half of the twentieth century. Drawing on a diverse range of sources--oral histories along with union, industry, and government archival materials--Wolfe's account focuses not only on labor leaders and formal Left groups, but considers the impact of grassroots workers' movemen...
A comparative study of Latin American and North American fiction.
The Cambridge History of Latin America is a large scale, collaborative, multi-volume history of Latin America during the five centuries from the first contacts between Europeans and the native peoples of the Americas in the late fifteenth and early sixteenth centuries to the present. A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History on literature, music, and the visual arts in Latin America during the nineteenth and twentieth centuries. The essays explore: literature, music, and art from c. 1820 to 1870 and from 1870 to c. 1920; Latin American fiction from the regionalist novel between the Wars to the post-War New Novel, from the 'Boom' to the 'Post-Boom'; twentieth-century Latin American poetry; indigenous literatures and culture in the twentieth century; twentieth-century Latin American music; architecture and art in twentieth-century Latin America, and the history of cinema in Latin America. Each chapter is accompanied by a bibliographical essay.