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The histories of Cuba and the United States are tightly intertwined and have been for at least two centuries. In Race to Revolution, historian Gerald Horne examines a critical relationship between the two countries by tracing out the typically overlooked interconnections among slavery, Jim Crow, and revolution. Slavery was central to the economic and political trajectories of Cuba and the United States, both in terms of each nation’s internal political and economic development and in the interactions between the small Caribbean island and the Colossus of the North. Horne draws a direct link between the black experiences in two very different countries and follows that connection through ch...
Formed in the aftermath of WWI, Yugoslavia was founded as the Kingdom of Serbs, Croats and Slovenes ("three tribes of the same people"). But in the early 1990s, following a series of violent conflicts on Slovenian and Croatian soil, the two republics successfully succeeded from Yugoslavia, which would later be followed by Bosnia-Herzegovina and Macedonia. Mesic was member, later head of the Presidency of the Yugoslav Federation from August 1990. His memoir details an intricately woven storyline, which analyzes events, personalities and motivations inside Yugoslavia and its former nations, as well as in the international arena. The narrative is rich with excerpts from Mesic's personal diaries during times of heated conflict and bloodshed. Extensive notes and a short chronology assist the interested reader and scholar in disentangling the complicated plot. After years of relative political passivity, Mesic was elected independent Croatia's second president in 2000, following the death of former President Franjo Tudman.
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How contemporary Cuban writers build transnational communities In Writing Islands, Elena Lahr-Vivaz employs methods from archipelagic studies to analyze works of contemporary Cuban writers on the island alongside those in exile. Offering a new lens to explore the multiplicity of Cuban space and identity, she argues that these writers approach their nation as part of a larger, transnational network of islands. Introducing the term “arcubiélago” to describe the spaces created by Cuban writers, both on the ground and in print, Lahr-Vivaz illuminates how transnational communities are forged and how they function across space and time. Lahr-Vivaz considers how poets, novelists, and essayists...
The majority of scholarly works on the dissolution of Yugoslavia and the establishment of its successor states focus almost exclusively on the national question. There is no major study of the subnational regional dimension, which had significant effects on the politics and political structures of these newly independent states. This book addresses this deficit by examining the struggle of Istrian regionalists in the Istrian Democratic Assembly (IDS) against the nearly hegemonic nationalists of the Croatian ruling party, the Croatian Democratic Alliance (HDZ). Using a wide variety of primary and secondary sources, this instrumentalist analysis assays the political historiography of Istria in the 19th and 20th centuries, provides an analytical case study of the regionalist conflict with the HDZ in the 1990s and into the 21st century, illustrates how and why the regionalist party tried to influence both Istrians and Western Europeans in this struggle, and derives a critical analysis of the role of regionalism in European Union enlargement from this case study. It also shows that nationalists do not hold a monopoly on the politicization of identities.
First multi-year cumulation covers six years: 1965-70.
"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working defin...
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This book examines the ways in which the Cuban-Soviet relationship was expressed in the cultural sphere between 1961 and 1987. It specifically focuses on the theater and the visual arts to analyze the ways in which the culture became a means of asserting the Cuban Revolution’s independence.